Why are modern arms so ugly?


OK.......you're going to say it's subjective and you really looove the look of modern tonearms?
But the great tonearms of the Golden Age are genuinely beautiful in the way that most Ferraris are generally agreed to be beautiful.
Look at the Fidelity Research FR-64s and FR-66s? Look at the SAEC 308 series and the SAEC 407/23? Look at the Micro Seiki MA-505? Even the still audacious Dynavector DV-505/507?
But as an architect who's lifetime has revolved around aesthetics.......I am genuinely offended by the design of most modern arms. And don't give me the old chestnut....'Form follows Function' as a rational for ugliness. These current 'monsters' will never become 'Classics' no matter how many 'rave reviews' they might temporarily assemble.
128x128halcro
Dear Thuchan, I know that you are one of the most generous, open-minded and modest man I've meet in Audio and I know that tolerance is high on your agenda.
And you know that I have quite some respect for the Cobra - something I can't say about that many tonearms.
Yes - let's agree that it is about looks ...
Cheers,
D.
Has anyone here bought the arm (Cobra) because its looks got their attention and thought, I'm buying it because I really like or love its looks, and if it performs great, it's a keeper?
As in Hans Christian Andersen's ugly duckling. It turns into a Swan when it's needle touches the vinyl. (I like them)!!
My votes :
Saec WE8000ST
ODYSSEY
Pluto 9A
Exclusive EA3
FR 66S
Saec WE308SX

Hi all, thanks for accepting the observations, my key points are :
I have no issues with the performance. I question the aesthetics and I question what is really new.
To me there is a total disconnect in the arm tube style vs the pillar design.
For example the Ortofon A90 mounted on the arm - looks much more homogenous than the arm tube/pillar combo.
I have not seen the arm but have read all the blurb, and the only thing "new" is the arm tube - note however that the Wilson Benesch arms use carbon fiber and claim to have dealt with the resonances.
Unipivot - done before
Hangy thread - done before
Fixed counterweight - done before
Pivot point at record level - done before
Carbon fibre arm tube with computer calculated resonance control - done before
VTA tower that does not alter pivot to stylus distance - done before

Perhaps if they included a built in cartridge, the armtube being the cartridge body, the coils connected directly to a phono stage embedded in the carbon fiber using nano technology, .. oh and connectivity to the internet such that customers can go online specify the sound they like and download the parameters into the built in phono.