Hello Harold,
The Oracle Delphi Mk II:
I agree with you that the new revisions of the Oracle do not bring something special to the table (pun intended:-)). The heavier platter with the o-rings on the circumference and the nylon screws to support the journal bearing does not really do anything. I especially dislike the acrylic mat which sounds hard and lean to my ears and think that the groove isolator is a much better choice.
The Oracle suspension is probably the best on the planet. You can hit with your fist on the acrylic base while it is playing and the needle would not skip.
Unlike designs like the Avid, Linn or Thorens, the springs are suspended rather than compressed, which helps getting a piston like action rather than wobble like most sprung designs. Sound wise, it is a king of micro dynamics, like the Quad ESL of the turntable world.
It retrieves air between instruments, textures and spatial information like no other.
The two main weaknesses of the design, in my opinion, are:
1. Speed stability - the oracle motor and belt were somewhat iffy in my mind. Even the turbo power supply and newer motors do not really overcome the weakness in maintaining speed stability and avoiding cartridge drag in transient.
2. The suspension is very effective at filtering noise which translates to pitch black backgrounds but it is also a source for energy drain which robs macro dynamics. Mass loaded TT always sound more impact-full and muscular compared to the Oracle, given the same arm and cartridge.