Pod Stability
This turntable was indeed my Final Audio VTT1 - which has a 26kg platter system - Platter 15kg, Subplatter 5kg, Copper mat 4.5kg, Clamp 1.8kg all designed to be used together to provide optimum clamping and energy dissipation to ground from the record. An AC motor, driven from a sine & cosine wave generator and Onix OA60 power amplifier drives the platter via a silk thread.
To be clear what was being measured in my post on the Timeline thread – the 2mm lag was generated by setting the TT speed with no stylus playing and then measuring the lag when playing. A 2mm lag at a radius of 400mm is a speed error of 0.08%
If I set the speed with a record playing, which is my normal procedure, then there is no speed error at all as measured on the Timeline, and therefore the variation in stylus drag due to music playing is an immeasurable % age of the total drag.
If we assumed that the variation in stylus drag is plus or minus 20% of the total drag (remember it is not registering at all on the timeline), then the string drive Final Audio VTT1 has at worst about half the wow and flutter of an SP10mk2, and about the same as an SP10mk3, without the induced negative effects of the servos.
Another small matter to correct re your post on the movement of Halcro’s POD –
In summary, your maths is wrong because your calculations are based on a misinterpretation of my Timeline test results.. When the 26kg platter speed was set with the stylus playing, there was in fact no measurable retardation.
05-11-15: RichardkrebsA perusal of your numbers shows they have failed the sound check, and here is why -
Halcro.
Check my math if you like, the numbers are sound.
05-10-15: Richardkrebs
There, one TT is mentioned where specific data is given on the amount of laser pointer movement per revolution and its distance from the centre spindle.
This TT is a beautifully engineered machine with, from memory a 22 kg platter driven by a fractional horse power motor via a thread. Hereafter I will call this TT. "TD" .The specifics were 2 mm movement on a radius of 400 mm, per revolution.
With this information it is possible to calculate the retardation torque and hence the drag. From this it is possible to calculate how much the pod moves.
This turntable was indeed my Final Audio VTT1 - which has a 26kg platter system - Platter 15kg, Subplatter 5kg, Copper mat 4.5kg, Clamp 1.8kg all designed to be used together to provide optimum clamping and energy dissipation to ground from the record. An AC motor, driven from a sine & cosine wave generator and Onix OA60 power amplifier drives the platter via a silk thread.
To be clear what was being measured in my post on the Timeline thread – the 2mm lag was generated by setting the TT speed with no stylus playing and then measuring the lag when playing. A 2mm lag at a radius of 400mm is a speed error of 0.08%
If I set the speed with a record playing, which is my normal procedure, then there is no speed error at all as measured on the Timeline, and therefore the variation in stylus drag due to music playing is an immeasurable % age of the total drag.
If we assumed that the variation in stylus drag is plus or minus 20% of the total drag (remember it is not registering at all on the timeline), then the string drive Final Audio VTT1 has at worst about half the wow and flutter of an SP10mk2, and about the same as an SP10mk3, without the induced negative effects of the servos.
Another small matter to correct re your post on the movement of Halcro’s POD –
05-10-15: RichardkrebsThis is wrong. If a chunk of mass is removed that is in front of the feet (closer to the platter than the centre of the pod ) then the centre of gravity of the pod shifts back AWAY from the platter. This INCREASES the resistance to tilt.
The pods appear to be slightly crescent shaped. If this is the case the CofG will be biased towards the two feet closest to the platter. This will increase the tilt.
In summary, your maths is wrong because your calculations are based on a misinterpretation of my Timeline test results.. When the 26kg platter speed was set with the stylus playing, there was in fact no measurable retardation.