While there is tremendous value in technical explanations for some of the perceived problems with vinyl playback, I think it is important to remember that those possible explanations are incomplete, and don't fully address the fact that what we are ultimately concerning ourselves with is an impossibly complex and fragile thing: the FEELING in music. Small speed stability problems that affect the perceived feeling of the music, wether caused by run-out errors or rotational speed error, are probably beyond the capability of any known measuring system.
I have (like all of us posting on this thread) struggled to make my
expensive belt-drive turntable as speed-stable as possible. Thread drive and a motor controller have improved the situation to a barely acceptable point. I say barely acceptable because I can still hear problems compared to the rock solid stability, and fabulous swagger that live music can have. In addition, the very same LP that has no perceived run-out issues when I use thread drive, will sound speed unstable when played using the rubber belt. This, in spite of my strobe showing that the speed should be rock solid. NOT!
I have (like all of us posting on this thread) struggled to make my
expensive belt-drive turntable as speed-stable as possible. Thread drive and a motor controller have improved the situation to a barely acceptable point. I say barely acceptable because I can still hear problems compared to the rock solid stability, and fabulous swagger that live music can have. In addition, the very same LP that has no perceived run-out issues when I use thread drive, will sound speed unstable when played using the rubber belt. This, in spite of my strobe showing that the speed should be rock solid. NOT!