How good does a TT have to be for a good cartridge


I have often wondered would you get good sound from a really good cartridge on a decent but not super good table. I am not an analog fanatic. I do own two fairly basic modern tables. One is a plain VPI Scout and the other a Music Hall MMF 5. Could I expect great sound from either one with a very high caliber cartridge that might cost lets say $3-5K . Is this an example of not being able to put lipstick on a pig?
mechans
I'm currently trying to answer this very question. Recently acquired a Dynavector XV-1s for my Scoutmaster Signature table (w/ JMW9 sig arm). I'm A/B this with the prior Sumiko Blackbird cart. One might think it should be a slam dunk with the XV-1s, but there's actually a number of traits about the Blackbird I favor over the XV-1s. This may be a result of better synergy with the table, the arm, the phono pre (EAR 834p deluxe) or all three. I actually have 2 JMW 9 sig armwands so that I can A/B easily. So, the jury's out, for my tastes. About to also mix it up even more with a Herron VTPH-2, just to see what a phono pre upgrade might offer....
Your vinyl set up is only as good as the weakest link. Instead of focusing on a $3k+ cartridge, work on isolation-cables and synergy between the cartridge and phono preamp.
You need a good tonearm. I had 2 10x5's that sounded good but are junk as far as construction goes. A highend cart won't do as well as it should without a good arm.
I had 2 10x5's on my Sondek 12. They sounded good, but are junk as far as construction goes. If the tonearm is not good the cart. won't be of much help.
The JMW-9 will never optimize the XV-1s.

"A tonearm's gotta know its' limitations".

-credit to Inspector Callahan