What's the best unipivot to arm ever made?


I'm really fond of unipivot tonearms in their way of music reproduction. For my point of view they represent the music with full of energy without loosing its authority and signature. Less is more? I do not know! I'm currently using a Mayware Formula 5 tonearm and believe is one of the best to arms ever made regardless price. Much better than my previous Schroeder Reference (even though I must admit Schroeder was mounted in an inferior turntable). What's your opinion about the best unipivot tonearm ever made and why your preference is so special?
pentatonia
Dear Pentatonia: I owned and own several unipivots including your Mayware. IMHO the best of that kind of tonearm design I heard was and is the Satin one.

For several and good reasons that alredy been analized in other thread where the Talea tonearm and others was the subject the unipivots are not my favorities but I accept that with a good matched cartridge performs very good and with a specific cartridge in a specific system can sound/performs great.

Every single pivoted tonearm design has its own trade-offs, nothing is perfect. Every one has the privilege to choose for his best trade-offs that match his targets.

Regards and enjoy the music,
R.
i like to use the term 'prefer' or favorite as opposed to best.

i have not heard all Unipivots, but i've owned a fair number of tonearms and listened to most arms out there. my favorite is the Durand 12" Telos. which is also my favorite tonearm of any type.

i use 15ips 1/4 inch master tape dubs as my reference and the Telos is as good as those in my system. it's simply more precise and without distortion than other arms i've tried. the whole reproduction chain falls away and you just have music.

it's not cheap and there is a long line to get one but it's my preference.
Dear Mike, Thanks for the URL. It is striking to me the degree to which the Telos is a "throwback" design. I note that it uses a string and weight for anti-skate and that the counter-weight is pretty far back from the pivot point, so it does not minimize effective mass. Further, the center of mass of the counter-wt is not below the pivot point so as to be in the same plane as the LP. I take this as a vindication of the design of certain vintage tonearms (the Grace wood unipivot comes to mind), not as a criticism per se of the Telos, because I am certain that it must sound great, based on what I heard from the Talea.

Have you ever auditioned the Pete Riggle wood tonearm? He is out there in your area is why I asked.