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Tonearm Ideas for Garrard 301 Rebuild

Hi all, i have a hammertone grease bearing Garrard 301 that i'm looking to give the royal treatment. I also need a plinth, tonearm, and cartridge. I know i'm asking for the world here but really just looking for opinions based on other's experiences.

Plinth: I'm thinking about going with Woodsong Audio...i like their build philosophy and many have commented on their excellent quality and sound characteristics. Plus their beauty is the best I've seen. I was initially looking at LignoLab but I'm not sold on the looks and the cost is extremely high.

Tonearm: This is a tough one and where i think I'll need the most advice...I think I want a 12", high mass arm since all signs seem to point to that being the best combo for the 301. The one's i've had interest in are Schick, Artemis/Schroeder TA-1L, SME 312s, and Origin Live Encounter Mk3c. The prices go all over the place on this one. The Schick has my eye due to price but also for the reason it was pretty much built for the 301 and has also received great reviews on the 301 itself. Does anyone have experience with these arms on a 301? Any other contenders I should consider?

Cartridge: I think this depends on the arm i go with but I'm thinking about starting with the Denon 103R in a Soundsmith body. Again this is a highly debateable subject and probably not worth discussing until i find the rest of the pieces first.

Rebuild: Ok this is another area i could use some help. Woodsong does a full rebuild as well but it's pricey. Are there any other rebuilders out there that have a rep for good quality 301 rebuild work? I'd like to do a motor strip/cleaning, linkage cleaning/replating and have any parts that need it be replaced or is this easy enough i can do it myself with a service manual and patience?

Rest of my system is:
Shindo Masseto (Pre)
Shindo Cortese (Amp)
Transporter (Digital Source)
Metrum Octave (DAC)

Thanks in advance...
jcote
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islandmandan
1,260 posts
 
Hi, I am just in the finishing stages of my 401 rebuild. I had my plinth built for me by the maker of my custom speaker enclosures. It is the first plinth built by them, and although it's nice, Chris Harban of Woodsong does an incredible job on his plinths, but they are also more expensive.

For a tonearm, I bought, coincidentally, from Chris Harban, a Dynavector DV 501. I then had it rewired with teflon dialectric silver. I installed my old standby, a Dynavector XX2MKII cartrdge. I'm just now starting to get it dialed in, but it really sounds good, to my ears.

I did the restoration myself, with all new springs, spindle bearings, grommets, etc. I stripped the table down, and bead blasted the top plate, and then had it powder coated a gloss black, which I prefer to the drab beige color of the original.

If you are a bit handy with tools, this can be a good DIY project. Otherwise, I think I would go with Woodsong, I found Chris to be meticulous in what he does, and the quality of the person he is. Also, if anything comes up, if you need parts or there's something else you need, he's right here in the good ole USA.

Best regards,
Dan
dfhaleycko
178 posts
 
If you really want to optimize for the Denon 103R (a good idea, I think) then I'd recommend that you go for a higher mass tonearm. I've seen a number of people get OK results with medium-mass arms by adding heavier headshells and/or heavier counterweights. But really the 103R sings extremely well with something like a Fidelity Research FR-64s, which is a well-built, high-precision heavyweight arm. Of course if you decide you want higher compliance cartridges, the FR-64s won't be your best companion. But really with the Denon it is a match made in heaven!

HTH
dklk
38 posts
 

I have a Thorens TD-124 that I purchased a new plinth for (off of Ebay). I searched for a vintage arm that matched the esthetics of the TT and couldn't find one in my price range so I got the Jelco 750DL 12" arm. I removed the arm lift set the antiskating to zero and mounted a Denon DL-103R with extended finger lift. What I ended up with is a arm that is comparable to the vintage arms at half the cost. Having said that, if money isn't a concideration like it was with me. I would get the Schick..
jcote OP
100 posts
 
Thanks all for the replies...I ended up pulling the trigger on a Schick with upgraded Finewire C37+cryo cable and Eichmann plugs. So we can check that off the list. I'm also working with Chris of Woodsong audio now on a rebuild + plinth. The piece I have is a hammertone as mentioned but to be honest i'm not a huge fan of the look. Is it a pain to repaint and what does this do to the sonics of the piece and/or resale value?

So to summarize...

Tonearm...check (Schick)
Rebuild...check (Woodsong)
Plinth...check (Woodsong)

Cartridge...oh boy i should probably start a new thread.
salectric
748 posts
 
The Schick is the obvious choice for a modern 12" arm with the 103R. Not only does it work great with the 103R, but the Schick is also a great match with the Miyajima cartridges. I have a Miyajima mono on my Schick right now.

If you wanted a less massive arm to match with other cartridges, I also like the Moerch DP-6 in the 12" Red wand version. It matches well to vintage tables as well as modern.
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