Truly, as Rhett Butler said, I don't give a damn.
I respect all of our opinions, and really being happy with one's turntable is all that counts. For me, in practice, there is such a thing as "good enough". The theoretical discussions are a separate bit of play.
For a definition of "belt creep", which is a factor for any conventional belt-drive turntable where the belt travels around a pulley that is some distance from the edge of the platter, go to Vinyl Asylum and search on the phrase. There you will find Mark Kelly's explanation. To a large degree, the phenomenon can be mitigated by having the motor pulley as close to the platter as possible, a la Nottingham, or better yet by having the belt completely encircle the platter, or nearly so. I believe the DPS or Artemis table (one or the other) nearly achieves that by employing a separate capstan. Also, the 47 Labs tt takes a shot at it.
I respect all of our opinions, and really being happy with one's turntable is all that counts. For me, in practice, there is such a thing as "good enough". The theoretical discussions are a separate bit of play.
For a definition of "belt creep", which is a factor for any conventional belt-drive turntable where the belt travels around a pulley that is some distance from the edge of the platter, go to Vinyl Asylum and search on the phrase. There you will find Mark Kelly's explanation. To a large degree, the phenomenon can be mitigated by having the motor pulley as close to the platter as possible, a la Nottingham, or better yet by having the belt completely encircle the platter, or nearly so. I believe the DPS or Artemis table (one or the other) nearly achieves that by employing a separate capstan. Also, the 47 Labs tt takes a shot at it.