Richardkrebs
I seemed to have missed the olive branch. Was it before or after "end of story"and "for the last time".
I have continued the discussion as you have misconstrued some of my comments and not fully addressed some of my queries.
I cannot understand how the servo/speed correction system knows whether you are going to play Mahlers 2nd Symphony or a Beethoven Sonata.
You seem to be certain that there is no measurable stylus drag on the DD by measuring the power supply. This simply doesn't quantify the the stylus lag in real time that is occurring at the stylus tip.
The comments on loop rigidity and energy dissipation were put forward in the context of maintaining the attack, intensity and decay of each note. You have overlooked the fact that even if you had perfect speed stability, the attack, intensity and decay of each note can be distorted by an inadequate plinth that is not rigid and doesn't deal with the energy reflected into the platter.
It is of no consequence to me really, but you assumed I measured the variation in stylus lag using the Timeline. That assumption is not correct.
Finally, I am trying to understand how Direct Drives address these issues, but you have offered no explanation for the differences I heard and described between the Goldmund and the Kenwood L07D, particularly in speed, timing and coherency.
I seemed to have missed the olive branch. Was it before or after "end of story"and "for the last time".
I have continued the discussion as you have misconstrued some of my comments and not fully addressed some of my queries.
I cannot understand how the servo/speed correction system knows whether you are going to play Mahlers 2nd Symphony or a Beethoven Sonata.
You seem to be certain that there is no measurable stylus drag on the DD by measuring the power supply. This simply doesn't quantify the the stylus lag in real time that is occurring at the stylus tip.
The comments on loop rigidity and energy dissipation were put forward in the context of maintaining the attack, intensity and decay of each note. You have overlooked the fact that even if you had perfect speed stability, the attack, intensity and decay of each note can be distorted by an inadequate plinth that is not rigid and doesn't deal with the energy reflected into the platter.
It is of no consequence to me really, but you assumed I measured the variation in stylus lag using the Timeline. That assumption is not correct.
Finally, I am trying to understand how Direct Drives address these issues, but you have offered no explanation for the differences I heard and described between the Goldmund and the Kenwood L07D, particularly in speed, timing and coherency.