Rhea Signature vs. ARC PH-7


I currently have an almost new ARC PH-7 as my phono stage. I'm running that through an Aesthetix Calypso standard, and finally through 2 Pass Labs XP-100.5 monoblocks. I have limited resources to upgrade my front end, but am leaning toward going with all Aesthetix Signature models-the Rhea and Calypso. By the way, I have a new Lyra Delos and am considering a Dynavector DRT XV-1S held by a new VPI Scoutnaster with the JMW 9 Sig arm. I'm sure some of you have heard these two-possibly even side by side. I realize it's all about personal preference, but does anyone have a recommendation? Something to consider-both Aesthetix will be upgrades to Signature from standard. How will that affect the resale value? The standards technically won't be new, but yet they will.
handymann
Your comments are very interesting. Back in the day, I was told the cartridge WAS the most important component before the (what was then) receiver. If the cartridge is not top notch, how can it reproduce better sound? I mean the cart is where it all begins. I do know what you're referring to as far as sticking out or being the weak link. I learned about tonearm mass when I attached a Koetsu Urishi Black to a low mass arm. Pure crap! Perhaps this is what you are referring to. As far as my system sounding good, it's like a comparison I made to doing drugs. I'm not a user, but back in the 60's and 70's I did my share. In that day and mindset, one was always looking for the better high. Today it would be like better wine or a better car etc. I'm not one to consistently want to monkey with always having to have different equipment, but until you've heard a variety, which I have not, I will continue to experiment-a little. I can see those two pieces lasting a long time for me. I mean after you reach a certain level, (many will laugh at this-there are many pieces that cost more than my house and I salute those who can afford them) improvements in sound become minute. However, if you add several of these minute improvements together, sometimes you get a very discernible improvement. Concerning my "arm", are there great arms that will fit my table? I think I'm stuck as long as I keep the Scoutmaster. Have you heard or have any experience with the PH-7? One last thing. I learned that some of the best equipment may not be compatible. It can best in it's class, but "doesn't play well with others." There's this synergy thing I can't explain.
Concerning my comment about there not being any competent analog dealers in Nashville, if you're out there, please make your presence known. I should have said I know of none.
Hi, interesting post so far. What speakers, cabling and what's your room like? How did you set up your speakers?

I am kinda with John above (I'm a John to) maybe the table is something to consider. I've heard those Aesthetix units and they are great. Nothing to go wrong with there...just is there a better place....?

Curious on my question above and I'll post my thoughts some more...John F
A lot of thoughts have changed regarding audio advice compared to 'back in the day'. 'Back in the day' many were running expensive speakers with cheap little receivers believeing that amplification did not matter, the speakers were all that mattered.

You are right on the money regarding the law of diminishing returns, it kicks in earlier than many believe and hits hard. Yes, spending a lot more money usually gets you better sound. Whether it is worth the money to you or not depends on how much money you have and what other priorities you have in your life. It will be different for everybody, even different for the same people at different times.

For example, I upgraded for many, many years and had a system with a list price of over $120K. Due to economic and health issues, I have cut back greatly, my current system lists for around $20K. Is it as good as the $120K system? No. However, it does come a lot closer to it sonically than I care to admit. It certainly makes me think twice about upgraditis.

I have not heard the PH7, I have heard the PH5 and I have owned the ARC Ref 3 preamp, so I am familiar with the ARC house sound. I have heard Aesthetix gear, but I have not owned it, it does sound similar to ARC gear. From that side of the tracks (neutral tube gear), I've grown to appreciate the sound of VAC gear the most. These are all personal choices, and I could live happily with any of these brands.

Hey, in the end it is your money, and you can spend it anyway that you choose. If you believe that the cartridge is the most important part of the analog front end, go ahead and buy the Dynavector XV-1s, it certainly is a great cartridge.

Cheers,
John M.
If you are happy with ar 7 stay there. I purchased a demo combination of VIP Aries dynavector tone arm and xv1s cartridge as an impulse. My phono section did not have the gain so I started on the phono section hunt. What I truly loved was the audio research ref 2. At 13 k out of the question. Wound up with end of year demo aesthetic rhea signiture. Had always heard in large sound room. When I got it home it was audibly noisy. Dealer said the Jim white had heard it and was in spec. Got a new tube set for 250 dollars, and though not as quiet astt he ref 2 t,very enjoyable. Over long term wonder how quiet will last as tubes age, despite being all tube at ref 2 totally quiet. They also show up here used and hold value well. If I have a windfall the ref 2 is my choice