I think whats happening here is that those products are such good "all arounders" Yes, you can pay more money for bigger bass for example, or maybe a slightly quieter noise floor,(though with the Well Tempered, I'd be surprised) or any number of things, including a simpatico match to your favorite cartridge. But, something like the Amadeus just sounds so well balanced and right that it will be difficult to better it in all parameters. I know it is hard to believe. Just look at it, that skinny platter, thin plinth, crazy arm with virtually no parts, or fancy machining. In this case, less is surely more. The resulting sound is more than the sum of it's parts. Sure, something like a mid model Project can also be considered a good "all arounder", but it doesn't have near the level of attainment that these tables do. I don't own an Amadeus, but an older WT model, still, I "get it" nontheless. I don't doubt those glowing reviews one bit.
Can a $3K table be among the best out there?
I am on the market for a $3K turntable. I am going back to analog after a number of years so I know little of current market. So, I did some research and stumbled across the Townshend Rock 7 and WT Amadeus tables. I've read a lot about them.. The impression one gets after reading user comments or reviews (like TAS reviews for instance) is that it's hard to get a better table, period. In a world where you can easily spend $4K on a tonearm, I found these statements to be surprising to say the least. What's so special about these turntables, and can anyone comment on the notion that it's hard to beat their performance at any price?
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- 44 posts total
- 44 posts total