Fjn04, well, you know, when you are regarded as having gotten close to perfection (and dedicated your entire life to it), you get somewhat reluctant to accept other philosophies or ideas, especially if you care about measurable parameters like, for instance, the distorsion caused by a tonearm, how much damaging a needle is to the record etc. I have seen that with many other audio artisans who decided to work for themselves and not for the public (that is, who sell a few pieces to make a decent life but certainly don't aspire to get rich). Based on the way he talked about it, he knows WT first-hand and very well. I can say that one of the tables he always raved about of is Teres Audio...but that is certainly not in the $3K range. BTW, I see you like Shindo...I also got the bug (own a Masseto right now).
Can a $3K table be among the best out there?
I am on the market for a $3K turntable. I am going back to analog after a number of years so I know little of current market. So, I did some research and stumbled across the Townshend Rock 7 and WT Amadeus tables. I've read a lot about them.. The impression one gets after reading user comments or reviews (like TAS reviews for instance) is that it's hard to get a better table, period. In a world where you can easily spend $4K on a tonearm, I found these statements to be surprising to say the least. What's so special about these turntables, and can anyone comment on the notion that it's hard to beat their performance at any price?
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- 44 posts total
- 44 posts total