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Herron VTPH-2 Phono Preamp

I have a few questions for those of you who own/or have owned the Herron VTPH-2 Phono Preamp.

1) If you have sold it.....what was it that seemed to be lacking that made you decide to sell it? What did you move on to?

2) If you still have it, what are its most enduring traits that you love about it?

3) Has anyone compared it to any of the Klyne phono stages and what were your impressions of the comparison?

Thanks much!
no_regrets
dodgealum's avatar
dodgealum
1,404 posts
 
I've had my VTPH-2 for over two years now. It will be my last phonostage. While there is much to commend--ease of use, flexibility, rugged build quality, backed by one of the best guys in audio, ETC the best thing about it is that it simply sounds like music to my ears.
czbbcl's avatar
czbbcl
1,752 posts
 
The Herron is a very musical phono-stage yet very detailed and quiet . Also it is flexible with the loading resistors and is a very clean and well laid out design. I compared it to an Audio Research reference model of a couple of years ago and the Herron was very comparable but at 1/3 of the price.

Chuck
bpoletti
1,552 posts
 
The best sound quality of a Herron VTPH-2 is that it has no sound. It just passes the music to the pre-amp. IMO, there is no better phono stage available at any price.
no_regrets OP
519 posts
 
Thank you to all of you for your replies!

Out of curiosity, which tube compliment are you all using? The (4 x 12ax7's, 1 x 12at7 for 69dB) or the (2 x 12ax7's, 3 x 12at7's for 64dB)?

Secondly, do you know if you can switch the tube compliments from higher to lower gain and vice versa yourself or must it be sent in to Keith to have adjustments made to the RIAA network?

Thank you again!
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