LCR phono stages we know about


Lately, I have become enthralled with LCR phono stages, based on some personal listening experiences and on the fact that many designers I respect are involved in LCR phono design. However, I don't really feel that I have a complete picture re what's out there in terms of commercial products. If you own or have heard an LCR phono stage and have an opinion, please name the product and feel free to render an opinion of it, compared to other phono stages of any type with which you are familiar. Thanks.
lewm
Dave, I looked it up. Not much info regarding the innards. Seems to be solid state. Does not seem to have adjustment for load R and C. However, it does have a mono switch. (I don't know how you can build a phono stage with high end pretensions and not include a mono switch.) As you know, I'm partial to tubes, but I'd like to hear this one. Do you have direct knowledge?

Audio Note UK also makes few models of phono preamps that employ LCR network.

Typical LCR network is sandwiched between two gain stages with the first stage being able to drive low input imepedance, typically 600 ohms like the Tango circuit, so a cathode follower is often employed and some purists might argue against it. But who cares... whatever works and whatever sounds good.

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Yes, that's one problem with designing a tube-based LCR; the needed 600-ohm impedance on the input side is hard to achieve with tubes. There are many interesting threads on that subject. One such claimed that you only need 600 ohms on one side of the LCR, not on both input and output side; I am not sure about that. Some use a transformer to achieve the needed impedances. But another approach is to build an LCR that can be driven by a higher impedance, 10K ohms being another more recent standard. A very smart DIY guy I know in Australia has built a high-gain LCR RIAA using ~20K ohm LCR, built from parts supplied by Dave Slagle. I have the schematic. I actually have no idea how or why 600 ohms was ever adopted as a standard or why it is anathema (to some) to deviate from that value. It could merely be that the original LCR modules, made by Silk and/or Tango, in Asia, were set at 600 ohms, and everyone jumped on that bandwagon when those were the only LCR modules available. I welcome input from others who may know more about this.

Perhaps the 600 ohm "standard" stems from the pro side when making records in applying RIAA EQ, which was made using LCR network, inverse curve of course.

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One difficulty in using higher impedance LCR is that the inductance of the choke will be higher accordingly which is harder to wind. You gain some you lose some.

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