While preferring not to contradict anyone on stuff I cannot refrain from saying, in my own opinion, that Sorbothane, while seeming to be a perfectly good damping material, is actually not. Now, someone might possibly find some place where Sorbothane improves the sound, but I have found in most situations it ruins the sound. Like many rubbery, gel-like, soft materials Sorbothane appears to allow energy to be stored even more than it would be with no damping.
SP10mk2: OMA Graphite plinth vs.Dobbins plinth
According to the price lists they are in one category, but anyone could comment on quality/performance? At the moment i use big Teak Wood plinth (just $750) custom made in Taiwan for my SP10mk2. Looking for upgrade in the future. I use my sp10mk2 with Reed "12 tonearm now. Doest the plinth actually makes a big difference in sound? My stand is well damped with glass, metal and sarbothane in between.
1) Oswald Mill Audio graphite slate plinth (single layer) $2750, double layer looks fantastic but cost $3500
2) Steve Dobbins famous custom plinth cost $2650 including three Stillpoints feet and automotive show quality paint in black or white. Design has changed many times, still hard to find any current plinth picture online.
I know there are Albert Porter's and Artisan Fidelity quality plinth available, but i don't like the design (i mean just how it looks) for SP10.
1) Oswald Mill Audio graphite slate plinth (single layer) $2750, double layer looks fantastic but cost $3500
2) Steve Dobbins famous custom plinth cost $2650 including three Stillpoints feet and automotive show quality paint in black or white. Design has changed many times, still hard to find any current plinth picture online.
I know there are Albert Porter's and Artisan Fidelity quality plinth available, but i don't like the design (i mean just how it looks) for SP10.
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- 119 posts total
- 119 posts total