Phono stage w/automatic Load-Impedanance.


Yes, automatic load impedance! The WLM PHONATA offers very high dynamics as a result of its very special design (see below)

A few years ago i purchased a slightly used demo unit from Australia. It was reasonable priced (mint- condition) WLM PHONATA reference MM/MC phono stage from respected WLM Acoustic brand (made in Europe). I use it since that day in my system.

a picture of the wlm phonata linked below:
http://audioaddiction.net.au/wp-content/uploads/2012/05/Phonata_3XL.jpg
http://audioaddiction.net.au/wp-content/uploads/2012/05/Phonata_4XL.jpg

When i bought mine demo it was newly released and totally different for previous WLM model (which was a smaller tube stage). The reference WLM Photana is not a tube stage. I'm not sure what's happened after, but probably it was not widely distributed, maybe they made first run and stop the production of this nice unit. They never updates their own website with info about this new unit. It's impossibe to find any reviews online and i assumed there are not so many users.

I wonder if anyone on AudioGon aware of this ice nproduct. I'm sure most of you familiar with amazing range of WLM speakers and different Tube Amps.

But do you know anything about WLM Photana Referense Phono Stage MM/MC ? It has some interesting features such as AUTOMATIC LOAD IMPEDANCE and 2 RIAA CURVES. It comprises pinnacle circuitry and design features that have never been realized before.

The PHONATA works with two-stage amplification:

• An inductive voltage amplification stage (for MC cartridges) using high
performance professional audio step-up transformers.

• A solid state current amplification stage, using specific MOS-FET transistors with tube-typical harmonic distortion characteristics.

The PHONATA offers utterly precise RIAA equalization:

• RIAA equalization is implemented across two amplification stages (within current amplification), providing a frequency expansion from 10Hz to 50kHz (Subsonic cut below 10Hz). Selected components (1% tolerance) are used.

• RIAA equalization can be selected from two positions with a switch at the back of the unit:

- Position “high” for records produced before 1965 or to improve the performance of somewhat “darker” sounding cartridges at higher frequencies. This position provides +3dB equalization as from 5kHz and +6dB as from 10kHz.

- Position “low” for all other records The PHONATA offers automatic adjustment of Load-Impedance:

• You don’t have to adjust the load-Impedance of your cartridge (plus the interconnect-cable between cartridge and Phono-Preamplifier). It goes automatically thanks to one ingenious piece of circuitry.

• You don’t have to adjust the source voltage of your cartridge as well.

• There are no micro-switches or any other mechanical contacts in the signal-path.

Technical Data:

MC-Input Impedance Range: < 100 Ohm to 50kOhm
MM-Input Capacity: 100pF
THD (Total Harmonic Distortion) @ 1kHz: 0.01%
SNR (Signal to Noise Ratio) MC: >72dB
SNR (Signal to Noise Ratio) MM: >85dB
Max. Input Voltage for MC-cartridges (theoretical value): 1200mV @ <1% THD
High Performance, Professional Type Step-Up Transformers.
128x128chakster
Allen was a big proponent of using the "Neumann" time constant in his designs which shelves the response with a corner at 50Khz. Using a "normal" riaa puts the info at 750Khz about 32dB below the value at 20Khz but including the "neuman" drops that to 8dB difference.

dave
All good points. Nevertheless, he wrote in favor of very extended bandwidth. I will try to find the quote; perhaps I mis-remembered. He might have been referring either to the linestage section of the RTP or to one of his amplifier designs. Anyway, his point was that although the roll-off was occurring at frequencies impossibly high by any rational analysis as regards any effect on the audio bandwidth, there was in fact an audible (to him) "trickle down" effect, because the roll-off created distortions down in the audio range.
I have found that is true as well. If for example if that 50KHz step was really employed (and if I understand correctly, meaning that it goes to flat response at 50Khz), the ear will interpret the resulting phase shift in the audio band as brightness.

The old MFA Magus preamp used to do this and it also sounded bright. I found that by restoring the RIAA curve at 50KHz eliminated the brightness.
Dear all, after quite some time of using different phono stages from cheap Grado PH-1, iPhono2, to the great JLTi and finally Gold Note PH-1 i have to say the old WLM Phonata is really good. For some reason the WLM bass is addictive and none of my phono stages can do the same.

Input resistors for MM carts has been upgraded to 100k Ohm Vishay Naked Foil last year. It was a huge upgrade and some of my favorite vintage MM cartridges are really really good with this phono stage.

Well, i decided to upgrade Capacitors in my WLM Phonata Reference. Last year i took some pics of the circuit and realized the original stock caps are all German made Audyn.

Constant upgrade is rule number one. Time to replace these Intertechnik Audyn MKT (Axial Metalized Polyester-foil) capacitors. Intertechnik manufacture High End Audio capacitors in Germany since 1983. As you can see my caps are 6.8 C/µF (160v) and 1.0 C/µF (250v) with 5% tolerance, they are very cheap. Right now Audyn offers much better audiophile grade caps. In the biggest capasitors test review i found that Audyn Reference, True Copper, True Copper Max and True Silver received the best verdict!

I just bought Audin Reference caps, 4 of them cost me 170 euro with shipping.

I’m thinking to upgrade stock built-in SUTs on the motherboard too. Looking for the right one from Swedish Lundahl (they made then since 1958).

Actually my stock SUTs claimed to be Lundahl too, but they does not looks like any Lundahl i can see on the official website now. Here is a picture of the motherboard with stock SUT and stock caps that i want to upgrade ASAP.

But which step-up ratio to choose?



But which step-up ratio to choose?
The least amount of stepup that gives you the gain you need. That will minimize the sonic fingerprint that all SUTs have. Also pay attention to proper loading of the SUT to minimize coloration. Talk to Luhdahl about that.