I hope you got the latter of his two recordings , 1992 I think, where he plays the famous strad from the Smithsonian
Collection, just for the sound.
But Bylsma's earlier SEON recording now on Sony is fine as well.
I believe the original instrument crowd thinking this music should be played on the instruments it was written for are spot on. Bach wrote for the Lord of the Dance.
The Cantatas are the heart and soul of Bach, they were written to aid the prayers of devout believers not as the
mini-operas being recorded today.
Most illuminating are the one voice to a part series by Sigiswald Kuijken's "Le Petite Band" which sound just like what they are, simple Christians at prayer.
When Bach signed every work "To the Glory of God" that is exactly what he meant.
Collection, just for the sound.
But Bylsma's earlier SEON recording now on Sony is fine as well.
I believe the original instrument crowd thinking this music should be played on the instruments it was written for are spot on. Bach wrote for the Lord of the Dance.
The Cantatas are the heart and soul of Bach, they were written to aid the prayers of devout believers not as the
mini-operas being recorded today.
Most illuminating are the one voice to a part series by Sigiswald Kuijken's "Le Petite Band" which sound just like what they are, simple Christians at prayer.
When Bach signed every work "To the Glory of God" that is exactly what he meant.