The notion of cables being 'system dependant' is utter nonsense. As with all other components, its about distortion, or the lack of it. But the 'connoisseurs of coloration', like too many engineers and their million dolloar mixing toy, treat their system like it were a musical instrument, contributing to the music the artists made in the hall or studio.
The more components you can put together with the least amount of distortion the closer you get to 'true to the original. At least in playing back whatever made it onto the source media.
Then all you can do is buy and sell disks to collect those worthy of the capability of system to play back what is true.
Of course when your system is a personal perference of distortions to taste, you probably cannot discern a good disk from a bad one. But when it is relatively distortion free, inclusive of the room acoustics, you definately can.
Until then, there is a proven list of reference quality CD's at www.linkwitzlabs.com at the MUSIC link. While you are there check out some of the other links on theory, and practicle application of audio. I guarantee it will be worth your time.
The more components you can put together with the least amount of distortion the closer you get to 'true to the original. At least in playing back whatever made it onto the source media.
Then all you can do is buy and sell disks to collect those worthy of the capability of system to play back what is true.
Of course when your system is a personal perference of distortions to taste, you probably cannot discern a good disk from a bad one. But when it is relatively distortion free, inclusive of the room acoustics, you definately can.
Until then, there is a proven list of reference quality CD's at www.linkwitzlabs.com at the MUSIC link. While you are there check out some of the other links on theory, and practicle application of audio. I guarantee it will be worth your time.