Cable Costs Relative to System

Hi , its all relative, I have picked out expensive cables in blind tests over and over again, from interconnects to speaker cables to digital cables, but the main difference is I have not always liked the more expensive cables better, once you get the ego out of the way and stop careing about brand name or cost it is amazing the differences you can hear, for good or bad.

Of course, we all know that there are ways to reduce the cost of your cables. Shopping on Audiogon is definitely one good way. Using the lending library at The Cable Company is another one because you don't have to spend money on so many cables before you find the ones you like. There are also a lot of DIY'ers out there figuring it out for themselves.

I have gone throught trying alot of cabling in my systems throught the years. All the models from Cardas, Kimber, Acoustic zen, Harmonic Tech, Analysis Plus. For me I have found that cabling sourced from recording industry is very good indeed. Mogami Quad 2534 and Vann damme Ultra Pure Silver Plated cable for interconnect works great and for me holds it own against cables I have owned that retail for up to $1500.00 for 1 meter pair. its really inexpensive and allows money to go to better equipment. Vann Damme studio grade speaker wire, the 9 gauge stuff you can get from Bryston sounds as good or better than any fancy expensive cables I have used. on the hifi side of things the best bang for buck for inteconnects is DHlabs Silversonic Air matrix. I will now never spend anymore cash on cables. My thinking is that if you want to hear what the recording engineers wanted you to you should use the cables they used making the music, anything different is colouration.

"My thinking is that if you want to hear what the recording engineers wanted you to you should use the cables they used making the music, anything different is coloration"

Jamo1,

So, if cables used for recording are coloring shall I use the same cable to color 2x or shall I use the most transparent/neutral cables?

IMHO studio equipment has no bearing on my home system otherwise I might start using distorting VOX guitar amps for playback.

What they produced is a starting point for me. Judging system's transparency/neutrality is whole another subject but I would use studio cables, or any cables, only if they sound better to me in my system. My AZ Satori has some roundness/fullness that compensates lean lower midrange of my class D amp.

Hi Kijanki,
My point was that the cables used in a studio should be the most neutral to the playback of the music that was being produced and that using something other than that used in the recording studio in your home equipment can add colouration or change the end result. At one point A&M Studios was entirely wired with the Mogami quad wire that I have mentioned. The producers like Daniel Lanois etc. heard everything throught that wire, voices, guitars,drums everything when they recorded and engineered the music. Thats why I gave it a try. I get what you are saying about matching and compensating for equipment room acoustics etc. For me this stuff has worked fine with everything I have tried it on and I a-b compared it with my expensive wire before selling it. In my case it has worked out great because the money I got from selling my higher end cables went toward better equipment. For example, my Moon lp 5.3 @ $900.00 used with a $30.00 Vann damme silver coated XLR sounds way better than a Project Phonobox SE II @$300.00 with a $600.00 used interconnect of whatever Cardas golden ref, AZ silver ref etc. Anyhow I made the suggestion and if people give it a try I think some will agree and benefit.