Rouvin: Let me take your two points in order. First:
Then why is it that all published DBTs involving consumer audio equipment report results that match what we would predict based on measurable differences? For badly implemented tests, they've yielded remarkably consistent results, both positive and negative. If the reason some tests were negative was because they were done badly, why hasn't anyone ever repeated those tests properly and gotten a positive result instead? (I'll tell you why--because they can't.)
DBTs address a prior question: Are two components audibly distinguishable at all? If they aren't, then a subjective review comparing those components is an exercise in creative writing. You seem to be making the a priori assumption that if a subjective reviewer says two components sound different, then that is correct and DBTs ought to be able to confirm that. That's faith, not science. If I ran an audio magazine, I wouldn't let anyone write a subjective review of a component unless he could demonstrate that he can tell it apart from something else without knowing which is which. Would you really trust a subjective reviewer who couldn't do that?
One, that most DBT tests as done in audio have readily questionable methods – methods that invalidate any statistical testing, as well as sample sizes that are way too small for valid statistics.
Then why is it that all published DBTs involving consumer audio equipment report results that match what we would predict based on measurable differences? For badly implemented tests, they've yielded remarkably consistent results, both positive and negative. If the reason some tests were negative was because they were done badly, why hasn't anyone ever repeated those tests properly and gotten a positive result instead? (I'll tell you why--because they can't.)
Two, and the far more important point to me, do the DBT tests done or any that might be done really address the stuff of subjective reviews?
DBTs address a prior question: Are two components audibly distinguishable at all? If they aren't, then a subjective review comparing those components is an exercise in creative writing. You seem to be making the a priori assumption that if a subjective reviewer says two components sound different, then that is correct and DBTs ought to be able to confirm that. That's faith, not science. If I ran an audio magazine, I wouldn't let anyone write a subjective review of a component unless he could demonstrate that he can tell it apart from something else without knowing which is which. Would you really trust a subjective reviewer who couldn't do that?