Reviews with all double blind testing?


In the July, 2005 issue of Stereophile, John Atkinson discusses his debate with Arnold Krueger, who Atkinson suggest fundamentally wants only double blind testing of all products in the name of science. Atkinson goes on to discuss his early advocacy of such methodology and his realization that the conclusion that all amps sound the same, as the result of such testing, proved incorrect in the long run. Atkinson’s double blind test involved listening to three amps, so it apparently was not the typical different or the same comparison advocated by those advocating blind testing.

I have been party to three blind testings and several “shootouts,” which were not blind tests and thus resulted in each component having advocates as everyone knew which was playing. None of these ever resulted in a consensus. Two of the three db tests were same or different comparisons. Neither of these resulted in a conclusion that people could consistently hear a difference. One was a comparison of about six preamps. Here there was a substantial consensus that the Bozak preamp surpassed more expensive preamps with many designers of those preamps involved in the listening. In both cases there were individuals that were at odds with the overall conclusion, and in no case were those involved a random sample. In all cases there were no more than 25 people involved.

I have never heard of an instance where “same versus different” methodology ever concluded that there was a difference, but apparently comparisons of multiple amps and preamps, etc. can result in one being generally preferred. I suspect, however, that those advocating db, mean only “same versus different” methodology. Do the advocates of db really expect that the outcome will always be that people can hear no difference? If so, is it the conclusion that underlies their advocacy rather than the supposedly scientific basis for db? Some advocates claim that were there a db test that found people capable of hearing a difference that they would no longer be critical, but is this sincere?

Atkinson puts it in terms of the double blind test advocates want to be right rather than happy, while their opponents would rather be happy than right.

Tests of statistical significance also get involved here as some people can hear a difference, but if they are insufficient in number to achieve statistical significance, then proponents say we must accept the null hypothesis that there is no audible difference. This is all invalid as the samples are never random samples and seldom, if ever, of a substantial size. Since the tests only apply to random samples and statistical significance is greatly enhanced with large samples, nothing in the typical db test works to yield the result that people can hear a difference. This would suggest that the conclusion and not the methodology or a commitment to “science” is the real purpose.

Without db testing, the advocates suggest those who hear a difference are deluding themselves, the placebo effect. But were we to use db but other than the same/different technique and people consistently choose the same component, would we not conclude that they are not delusional? This would test another hypothesis that some can hear better.

I am probably like most subjectivists, as I really do not care what the outcomes of db testing might be. I buy components that I can afford and that satisfy my ears as realistic. Certainly some products satisfy the ears of more people, and sometimes these are not the positively reviewed or heavily advertised products. Again it strikes me, at least, that this should not happen in the world that the objectivists see. They see the world as full of greedy charlatans who use advertising to sell expensive items which are no better than much cheaper ones.

Since my occupation is as a professor and scientist, some among the advocates of double blind might question my commitment to science. My experience with same/different double blind experiments suggest to me a flawed methodology. A double blind multiple component design, especially with a hypothesis that some people are better able to hear a difference, would be more pleasing to me, but even here, I do not think anyone would buy on the basis of such experiments.

To use Atkinson’s phrase, I am generally happy and don’t care if the objectivists think I am right. I suspect they have to have all of us say they are right before they can be happy. Well tough luck, guys. I cannot imagine anything more boring than consistent findings of no difference among wires and components, when I know that to be untrue. Oh, and I have ordered additional Intelligent Chips. My, I am a delusional fool!
tbg
Wattsboss:

I *do* like your analogy of the beauty that grows on you. I've had that experience, as well as its opposite -- the superficial beauty that fades quickly (or immediately upon conquest). True. Typically, it's because facial expressions take on a representational character; they come to stand for the moods and traits of the person. And in the case of a good-to-the-core person, that goodness starts to shine through. In the hot-bitchy type I usually go for, the nastiness gets associated with what I previously thought was cute.

Anyway, it may be that the beauty of an audio system takes time to appreciate fully. But distinguishing between looks doesn't take time, even if the full evaluation of those looks does. Maybe the analogy here is identical twins who no one can tell apart initially, but whose family and close friends can... immediately.

After all, I'm not sure I could distinguish the sounds of two violins immediately, in the hands of a skilled violinist. Each violin makes a wide range of sounds, and I'm not sure what's due to the violin and what's due to the violinist. Yet one violin might be $1K and the other $10K, because violinists themselves can immediately hear the difference. Maybe it's like this with audio. But I have no reason to think so, given the studies I've read, in which audiophiles who are familiar with the equipment, do no better than non-audiophiles (who are also familiar with the equipment).

Also: there is a long-term in-home disguised cable experiment going on right now. It has a few more months. We'll see how that goes.
Not arguing reviewers are perfect either...far from it...they are inherently subjective and bound by their own experiences and equip as we all are...but at least he or she can frame their observations in context which allows me as a potential buyer what to look for, what to investigate, what things I may need to consider etc.

As part of that context, wouldn't you like to know whether this reviewer can actually hear a difference between the product he is reviewing and some reference? And if he can't, what does that tell you about his review?
Pabelson, no I have no interest in whether a reviewer can hear a difference between components using DBT using the usual same/different format. Since I don't think it is valid, I would rather continue my present procedure of find whose reviews prove on target in my estimation. Frankly I don't think there are enough DBT proponents out there to make a magazine using them viable.
Yes, beauty can grow on you. But notice that it's not the lady who's changing. It's you. What does that tell us about long-term comparisons?

TBG: Yes, there are far too few objectivists to make a market. That's why the largest-selling magazine in the US that reviews audio equipment is that subjectivist redoubt . . . Sound & Vision.
Pabelson,

Thanks for your posts. Although I have never done blind tests, my experience with audio equipment matches the DBT reports perfectly. I simply can't detect audible differences between different cables, CD players and solid state amps provided, of course, they are of a minimum quality.

I do, however, detect large audible differences between different speakers, their placement and the room in which they are played. I also notice large differences in low powered SS amps versus high powered SS amps but only when driven at a high demanding levels.

On my Anthem AVM 20 preamp/processor I am able to play music either direct anaolg or through the A to D and then D to A circuit....a kind of test....again I hear no difference as long as all the tone controls and settings are the same. So I typically use the A to D and D to A in the circuit becuase it allows me to use base management for my subwoofer...something that does need adjustment (for room) and makes a tremendous difference when adjusted to my taste (digital filters providing great flexibilty). Furthermore, I can use the digital out or the analog out from my various CD players and again I hear no audible difference provided tone control/volume is the same...although I will admit that the digital output can have less background hiss S/N at extremely high levels, but this is not always audible either (setup dependent).

What does this mean for me when buying equipent?

1) Choose CD's and SS Amps for their features (speaker protection, tone controls, souund processing capability, warrenty etc.) For example, I like CD changers as I don't have to mess with CD cases. As for amps, I prefer overly powerful SS amps with significant headroom in order to minimize distortion from clipping.
2) Spend most or your money on the speakers, as this is the single biggest variable and adds the most distortion in the whole setup.
3) Buy good quality (shielded) but not exhorbitantly priced cables and inteconnects.
4) Pay attention to which room is used for playback and what are the wall/floor coverings and speaker placement.