When is unequal, equal?


Due to an awkward room configuration,the speaker placement in relation to the amps must lay out as follows: Speaker #1 is approximately 6' from the power source, and Speaker # 2 is spaced at 14" away. My question is as follows. If I choose to run unequal lengths of cable will this create any sonic problems, or will I be safe?... The ideal of having so much extra unused cable spooled up around the system is rather unsightly.
Please advise, and thanks.
mang53
Whether either of you guys want to admit it or not, what sells anything ultimately is results, not white papers, not hype. (You remember the one about fooling all of the people some of the time etc?)

What put Monster Cable on the map way back before you'd remember, was the shotgun design with its multigauge, multilength, separately insulated stranded conductors, with dual symmetrical signal path and floating shield. (A blueprint for a new, quieter more coherent SE cable, not hype.) Before that there was only single conductor coax for SE cables -- and if I had my way, that's all you guys would be allowed to use! Shouldn't bother you though, cause everything else is just a lot of pseudoscience, right?
That some audiophiles fall for this cable hoo-hah is evidence that you CAN fool some of the people all of the time. What put Monster on the map was marketing. And that's all the high-end cable business has ever been.
Nsgarch, I find the notion that cables should have a direction or that the 'positive' and 'negative' conductors should be of different construction or material to be pseudo science, since signals transmitted over cables (IC, speaker etc) are AC, thus flow in both directions (not at the same time of course!).
IC's can sound different if they are designed to do so, that is work with the impedance characteristics of the cable to get the frequencty response one wants and voila, a cable that sounds 'faster' 'sharper' etc.. Of course the same cable will sound different with different equipment, depending on their contributiuon to the circuit impedence characteristics (people call that synergism). Just make sure that the marketing quotes all sorts of pseudoscience to explain and justify those attributes and not the real reason (frequency response variations) why that cable sounds as such.
Salut, Bob P.
Bob, please read the following and you will understand the reason for the importance of direction in the use of shotgun-type ICs (which is probably 80 or 90 percent these days.)

Though many mfrs. put arrows on their cables (just to look cool, I guess) the original use of them was when Bruce Brisson designed the shotgun IC for Monster Cable (which was made Monster Cable the ONLY cable to use at that particular moment in history.) He eventually left to start MIT, which he still owns. Until the Shotgun, all single ended ICs were coax -- single center (plus) conductor surrounded by a braided shield which also doubled as the (minus) conductor (a lot like TV coax today.) These ICs were susceptable to RFI pickup and ground loop hum. Bruce used two identical signal conductors in the center (double-barreled 'shotgun' - get it?) and a shield around the whole shebang. One conductor (plus) was connected to the RCA pin at each end, and the other conductor (minus) was connected to the RCA ring (ground) at each end, BUT the shield was only connected to the outer ring (ground) of the RCA plug at one end. Thus it could shield the signal conductors, and drain noise to ground, but it couldn't conduct a current and of course didn't have to carry the minus signal either. (A side benefit of the shotgun arrangement is that the two signal-carrying conductors are identical, which helps reduce time smear problems.) Bruce put an arrow on the cable pointing to the end where the shield was connected to ground (this is called a "floating" shield, because one end isn't connected to another ground point, so it, well, floats!). In order to avoid long explanations to electronically challenged audiophiles, he said "you point the arrows in the direction of the signal flow." What he really was trying to do, was make sure that the end of the IC where the shield was connected to ground (the arrowhead end) would wind up at the preamp, (which is the only component that should be grounded to the AC outlet) creating what's called a "star grounding" system, where all the components' ground noise or hum drains to ground through one point -- the preamp, and the protective shields also are all connected to ground at the preamp. WITH ONE EXCEPTION! As you can see, following the "arrow points in the direction of signal flow" rule between amp and preamp won't work! You still want the end of the IC where the shield is connected to ground, to be at the preamp. Thus the arrows on amp-preamp ICs have to point "backwards." A better rule, which I tell everybody, is "all arrows point to the preamp" and I let it go at that! Most mfrs. do use the Brisson design for their single ended ICs now. These include Audioquest, Monster, Straightwire, MIT, Cardas, some Nordost, XLO, and most of the other big names. Some exceptions are Purist and Magnan and I guess a few others, but that's another conversation.
And even though Cardas ICs are "balanced" (they don't like to say "shotgun", because it sounds like they're copying MIT, which they are!) their ICs don't have arrow because they are "double floating shielded" with each shield connected to ground at the opposite end from the other shield. So it really doesn't matter which way you orient them. So point all your arrows to the preamp and you'll get the best performance out of 90% of all SE ICs.

You still have a great deal to learn about the signal carrying characteristics of different alloys, cable construction/stranding etc., but from what you've revealed so far ("signals transmitted over cables IC, speaker etc)are AC, thus flow in both directions not at the same time of course!"), I'd say you have plenty of time ;~))