Thanks, Tvad. I wasn't aware of controversey over what was being used in some of the aftermarket cables. The issue in my mind was whether different materials and cable design/construction could have an impact (good or ill) on the sound of audio components. My skepticism was grounded in the idea that "wire is wire" and that if the appropriate thickness for the current load was being used then issues of materials, design, etc. would be irrelevant (sonically). I have to say that I am really surprised by what I am hearing. I just finished listening to string quartets by Mozart (Quartetto Italiano on Phillips), a record I have owned for many years and played often. I gained completely new insight into the music. In one passage where the strings are plucked I was stunned by the difference in sound. Instead of an amorphous, dull "plunk" which was barely audible through the haze I heard a clear and snappy "plink" that had realistic tone and decay. The leading and trailing edges of the sound were much more focused and the sound emerged from a three dimensional space with focus and realism. This is the kind of improvement I'm hearing across the spectrum. I can also play the piece louder without straining my ears since there is less grundge and grit. I'm really enjoying this--much more that I thought I would when I made the initial purchase. Anyway, again, my post wasn't necessarily intended to rave about the Audience products per se but rather to point out that in my experience replacement of the stock power cords really did improve things dramatically. I do feel, however, that there may be a cumulative and synergistic benefit to using the Audience products across the board--though I have no way of knowing for sure and am not about to experiment with other brands to find out.