Is balanced necessarily better?


Assuming fully balanced equipment that also offers single ended connections, and no RFI problems, is the use of balanced interconnects necessarily the better way to go? My forum search indicates some who say balanced is better because the connectors are inherently better and because of noise cancelling properties associated with the signal flowing in both directions; and others who say for reasonably short runs and no interference problems that rca/single-ended connections sound better in many cases, maybe because the signal has less circuitry to traverse. This has come up for me because I am considering different preamp alternatives, and if I decide not to stay with a fully balanced system, I have more choices. To give things a try I substituted some old AudioTruth rca cables for my Luminous Sychestra Sig balanced cables. Except for the 6db loss in output, I have initially found the rca cables to sound a little smoother, with more rounded images, a little plumper bass, and what initially sounds like a more "musical" presentation. The system is a Muse Model 10 source/Muse Model 3 Sig pre/McCormack DNA 500/Aerial 9's. BTW, Steve McCormack told me the DNA 500 sees the signal the same way whether balanced or single-ended, and didn't seem to think the amp would sound significantly different either way. Therefore, even though many manufacturers are now offering more balanced equipment, especially at the upper end, others such as CJ continue to make only single-ended equipment. What are do you guys think, is balanced necessarily better?
mitch2
"Assuming fully balanced equipment"

That's the key right there. If the equipment (but principally the amp and preamp) has fully balanced circuit topology, then 'yes" balanced is better -- and for all the reasons you mention, and one other very important one you didn't:

You're giving the circuits more (voltage, usually) to work with (resulting in better signal to noise values) and conversely, you are engaging the circuit(s) to their full design capacity (resulting in lower distortion levels.)

So although the advantages you mention are real, they all have to do with the differences between the cables themselves (SE vs. BAL) whereas my focus has more to do with what the equipment can do with a balanced signal vs. a single-ended signal. The reason Steve McCormack said what he did, is that the DNA 500 uses the balanced input "as is" (the amp is a fully balanced design BTW) and has (I presume) alternate input circuits that "convert" SE input signals into balanced form in order to take full advantage of the amp's balanced design. This is a nice feature, but notwithstanding his remarks, I'd feed it (the amp) a balanced signal if I had one available.
The advantages to balanced operation are only gained when it is a "truly balanced" circuit, i.e., there are two separate, but identical, signal paths. One for the positive signal and one for the inverted signal. When the two are combined the noise is canceled out. Many audio components have balanced connectors but are not "truly balanced". Your example of the McCormack amp is indicative of it not being "truly balanced". Think of these amps as having balanced to RCA adapters, similar to the Cardas (among others), built in.
Yes it is better but RCA is good enough for most audiophile applications.

I use balanced XLR as I have active speakers and that is the connection they accept.

I don't even remember the brand of cable I use. I picked the cables up at a musical instruments store...they are used for microphones, guitars and with studio grade gear.