Bob, yes, that is what I meant.
But, different salts (or, spices) do taste different in the same way that different cables sound different.
No one really questions subjectivist opinions when it comes to food, wine, wristwatches, clothes, shoes, furniture, etc. When I say I like Coke better than Pepsi, no one has ever really had a big problem with it. I've never had to justify it beyond saying it's that battery acid taste that does it for me, even to those who preferred Pepsi (or RC Cola) - and, even having to say that much is rare. The same acceptance doesn't exist if I say I like high-end audio component A better than component B. Somehow, the latter position MUST be justified empirically. For whatever reason (a lot of which is ego) these matters are such a big deal in audio. Things must be measured; the resulting specs then shoved down people's throats in order to justify or denigrate.
Bud Fried's famous anecdote of the island's clock tower comes to mind in terms of the dangers of depending on specs, and how foolish we are on relying on equipment and their resultant measurements that have not been fully developed at this point in our development as scientists and engineers.
Music is supposed to be fun. Objectifying audio, which is a relatively impossible feat (at least, today) in my opinion, tends to turn things into spitting contests, which for me is the antithesis of fun or what a hobby should be about.
But, different salts (or, spices) do taste different in the same way that different cables sound different.
No one really questions subjectivist opinions when it comes to food, wine, wristwatches, clothes, shoes, furniture, etc. When I say I like Coke better than Pepsi, no one has ever really had a big problem with it. I've never had to justify it beyond saying it's that battery acid taste that does it for me, even to those who preferred Pepsi (or RC Cola) - and, even having to say that much is rare. The same acceptance doesn't exist if I say I like high-end audio component A better than component B. Somehow, the latter position MUST be justified empirically. For whatever reason (a lot of which is ego) these matters are such a big deal in audio. Things must be measured; the resulting specs then shoved down people's throats in order to justify or denigrate.
Bud Fried's famous anecdote of the island's clock tower comes to mind in terms of the dangers of depending on specs, and how foolish we are on relying on equipment and their resultant measurements that have not been fully developed at this point in our development as scientists and engineers.
Music is supposed to be fun. Objectifying audio, which is a relatively impossible feat (at least, today) in my opinion, tends to turn things into spitting contests, which for me is the antithesis of fun or what a hobby should be about.