Which is better longer xlr or speaker cable


I have just purchased my first mono amps (Nuforce Reference 9V2SE's) giving me some new cable options. Currently I run a one meter pair of XLR and then four 5 meter pairs, as I biwire, of speaker cable. With the mono's now I can also do a 5 meter xlr and short speaker cables.

Which should produce better sound. And for equal sound quality, which should be less expensive. Any recommendations for a reasonable cost way to do this? I would like to get in new or used for under $500 for whatever additional stuff I have to buy. In option one I will need new speaker cable, in option two, new IC xlr. Is it OK to have different lengths of cable, probably 3 meters to the closer speaker?
Thanks
128x128gammajo
Thanks Samhar for the advice and the positive comment. Has anyone used Hosa xlr stuff such as what you buy at a guitar store - any good?
One of the great benefits of balanced ICs is that you can run them a long way (over 100 feet). That is why all pro audio cables for live shows and studio work are balanced.

Urban legends and audiophoolia aside, the quality of the IC does not matter as much with a balanced cable though I would still look for quality XLR plugs like Neutrik (the standard) or Vampire.

Practically speaking they are also a lot less expensive then biwires.

Personally I run uneven length speaker cables and can't tell...

Don't forget that if you are going to locate the amps by the speakers you are going to need to get power to the amps - hope that's not coming out of the $500 LOL
Second samhar's advice. I use SilverBlue from Audio Synthesis which was reasonable when I bought mine and came with WBT plugs but bought it a long time ago.
Short speaker cable is best if you have XLR. Mogami (owned by Marshall) make good quality XLR.
Agreed that it's an advantage to have short speaker cables(still go with the best you can afford). Don't for a minute believe that, "the quality of the IC doesn't matter as much with balanced cable"! We're discussing a complex musical signal here, not the input of one microphone or instrument. At VERY LEAST: go with Mogami cables (http://accessories.musiciansfriend.com/product/Mogami-Gold-Stage-Mic-Cable-with-Neutrik-XLR-Connectors?sku=338011), which are built with oxygen free copper, polyethylene dielectric and use Neutrik XLRs. If you skimp on your interconnects: You WILL lose a lot of musical information. If the rest of your system is accurate/resolving, and you do a comparison between pro and high-end balanced cables: The differences are quite audible. Of course everyone doesn't have the same aural acuity, or knows how to listen for differences. Consider how big Stereo Review's readership was(compared to any of the high-end magazines), and it's primary reviewer never heard a difference in anything(in thirty years of writing). Keep the speaker cables lengths short as possible, and you probably won't notice a difference between bi-wired and not(with good jumpers). It's best to keep all cable lengths as close to equal as possible, but don't neatly coil anything, and don't run any power lines parallel to your signal cables(not within 8in anyway). Happy listening!