I think the way to judge a speaker, any speaker, is to listen to classical live in a great venue (without amplification of course) and see how close you get.
It's amazing how beautiful the top end of the spectrum is with live. Perhaps this changes with how far back you are but even a few rows deep in the audience the presentation is completely out of your face.
(I could go crazy here with the idea of "imaging," what image?)
Many modern recording place the microphones on stage and sometimes on top of the instrument. Add the EQ of the engineer and top heavy design of some speakers and it's no wonder the presentation in one's living room sounds artificial and bright.
Oddly enough the old 1960s RCA and Decca got it right. I won't claim I get real life sound in my living room with these warhorse LPs but they are far more accurate and closer to my experience at the symphony.
Now if only New Orleans and other Jazz cities would return to all acoustic live shows rather than "rock and roll" level amplified stage shows.
It's amazing how beautiful the top end of the spectrum is with live. Perhaps this changes with how far back you are but even a few rows deep in the audience the presentation is completely out of your face.
(I could go crazy here with the idea of "imaging," what image?)
Many modern recording place the microphones on stage and sometimes on top of the instrument. Add the EQ of the engineer and top heavy design of some speakers and it's no wonder the presentation in one's living room sounds artificial and bright.
Oddly enough the old 1960s RCA and Decca got it right. I won't claim I get real life sound in my living room with these warhorse LPs but they are far more accurate and closer to my experience at the symphony.
Now if only New Orleans and other Jazz cities would return to all acoustic live shows rather than "rock and roll" level amplified stage shows.