I have to restate the fact that I've tried different neg return runs,one was a Goertz type flat pair of speaker wires and the sound was inferior to the 2 runs of solid core 12 guage romex.
So in my real world what is used for the return does matter, and perhaps more so than the signal runs.
I know, it flies in face of all audio wisdom, we've been brainwashed to always think in terms of using identical speaker wires for neg and pos.
But as I found out before I tried this experiment,all that the neg run is, is a ground.I may try grounding elsewhere than at the amp.
From my observations, the better the ground the better the sound.
Perhaps I wasn't clear on what I am doing or perhaps it's the old ways die hard of audio truths, but it's simple.
You take one run of speaker wire, I use Nordost Heimdal.
Bananas on all ends.
I put the red(pos)banana into the top red (pos) speaker terminal and the black(return)into the lower red(pos speaker terminal.
At the amp end,one banana goes into the DEcWare top binding post hole, the second (ret,black) into the pos hole on the side of the 5 way terminal,the part where a bare wire would be inserted.
So you have the two pos (red) speaker terminals filled with one red and one black Nordost banana from a single run of Nordost(non bi wired )speaker cable,The other red and black Nordost bananas are summed at the red pos amp post.So thats on run of cable just to both of the pos speaker posts and the other end of the wire(pos and neg)to just the pos amp binding post.
The return runs, using 12 guage solid core, are terminated as follows.
One single 12 guage wire to the top black speaker binding post, and another single wire to the bottom neg speaker terminal, both wires summed at the amps Neg (black) binding post.
As usual the other speaker and the other side of the amp follow suit.
Again, what intrigues me is that the difference in sound has everything to do with the return run.
Change it and the sound suffers.
Opting for one single wire on the return wasn't as full sounding, and neither was a full set of copper flatline type of speaker wires used as the return or neg runs.
I thought this similar to Nordost speaker wire set up would sound the best.It was double runs using two complete sets of speaker wires.
But it wasn't, the sound lacked the detail retrieval and weight that the solid core 12 guage brought to the party.
I know it sounds strange to most, I am still trying to figure out why, hence my post,but from my side of the fence listening to the changes, I have to say that the neg return has more of an influence on the sound than I ever thought it did.
Just speculation on my part, but perhaps the thicker return wire that I am using allows more of the grunge to flow out of the gear and back to ground.
More conventional wiring schemes where all wires are equal send less grunge back to ground, and so we hear more of it's effect masking the music.
The increase in inner detail with the thicker neg returns, the cleaning up of the sound, leads me to make this observation.
I used the Love cd to really get a grip on this.
I settled for the 2 return runs of romex per speaker because more of the cd's sound effects and song mixes were easier to pick out than with any of the other configurations, including my intial use of a set of Heimdals and Norse jumpers.
I should add that minor ticks and pops in vinyl were less thin sounding , there was less hash to older less pristine recordings in my collection.Cymbals took on more shimmer and had a weightier sound.You could hear more wood sound from sticks hitting cymbals.
I wish I could say that the improvement in sound was simply the dobling up of the Nordost on the pos terminals.That would be easy for all to understand, as it only makes sense.
What doesn't make sense, until you hear it, is why there is so much difference in sound when you start fooling around with the neg return runs of speaker wire.
Again I can only speculate why, and so far no one else has come up with an answer.
So in my real world what is used for the return does matter, and perhaps more so than the signal runs.
I know, it flies in face of all audio wisdom, we've been brainwashed to always think in terms of using identical speaker wires for neg and pos.
But as I found out before I tried this experiment,all that the neg run is, is a ground.I may try grounding elsewhere than at the amp.
From my observations, the better the ground the better the sound.
Perhaps I wasn't clear on what I am doing or perhaps it's the old ways die hard of audio truths, but it's simple.
You take one run of speaker wire, I use Nordost Heimdal.
Bananas on all ends.
I put the red(pos)banana into the top red (pos) speaker terminal and the black(return)into the lower red(pos speaker terminal.
At the amp end,one banana goes into the DEcWare top binding post hole, the second (ret,black) into the pos hole on the side of the 5 way terminal,the part where a bare wire would be inserted.
So you have the two pos (red) speaker terminals filled with one red and one black Nordost banana from a single run of Nordost(non bi wired )speaker cable,The other red and black Nordost bananas are summed at the red pos amp post.So thats on run of cable just to both of the pos speaker posts and the other end of the wire(pos and neg)to just the pos amp binding post.
The return runs, using 12 guage solid core, are terminated as follows.
One single 12 guage wire to the top black speaker binding post, and another single wire to the bottom neg speaker terminal, both wires summed at the amps Neg (black) binding post.
As usual the other speaker and the other side of the amp follow suit.
Again, what intrigues me is that the difference in sound has everything to do with the return run.
Change it and the sound suffers.
Opting for one single wire on the return wasn't as full sounding, and neither was a full set of copper flatline type of speaker wires used as the return or neg runs.
I thought this similar to Nordost speaker wire set up would sound the best.It was double runs using two complete sets of speaker wires.
But it wasn't, the sound lacked the detail retrieval and weight that the solid core 12 guage brought to the party.
I know it sounds strange to most, I am still trying to figure out why, hence my post,but from my side of the fence listening to the changes, I have to say that the neg return has more of an influence on the sound than I ever thought it did.
Just speculation on my part, but perhaps the thicker return wire that I am using allows more of the grunge to flow out of the gear and back to ground.
More conventional wiring schemes where all wires are equal send less grunge back to ground, and so we hear more of it's effect masking the music.
The increase in inner detail with the thicker neg returns, the cleaning up of the sound, leads me to make this observation.
I used the Love cd to really get a grip on this.
I settled for the 2 return runs of romex per speaker because more of the cd's sound effects and song mixes were easier to pick out than with any of the other configurations, including my intial use of a set of Heimdals and Norse jumpers.
I should add that minor ticks and pops in vinyl were less thin sounding , there was less hash to older less pristine recordings in my collection.Cymbals took on more shimmer and had a weightier sound.You could hear more wood sound from sticks hitting cymbals.
I wish I could say that the improvement in sound was simply the dobling up of the Nordost on the pos terminals.That would be easy for all to understand, as it only makes sense.
What doesn't make sense, until you hear it, is why there is so much difference in sound when you start fooling around with the neg return runs of speaker wire.
Again I can only speculate why, and so far no one else has come up with an answer.