Hi Sabai, I can only report what I have experienced with Shunyata ZTron Anacondas in my own system. At that time, the system consisted of Esoteric X-01, Rowland Criterion line stage, Rowland M725 monos (330W/8 per channel), and Vienna Die Muzik speakers. Shunyata ZTron Anaconda PCs, ICs, and speaker wires appeared to pass along as much signal or current as they receive upstream, without obvious bandpass filtration or overall attenuation/emphasis. As a result, my electronic components and speakers delivered in most cases instrumental and vocalist images of realistic sizes without obvious angular recession or magnification.
From my listening position, 10 to 12 feet in front of the speakers, it seemed that the angular span of the image generated by the speakers was congruent with listening to music sitting in a 4th row position. For example, a grand 9-footer concert piano looked like a nine-footer located 5 to 6 feet beyond the speaker grill. However, if the mike had been particularly close to the performer, like with many recordings of female vocalists, or of Lara St. John playing Bach violin solos, the angular image was congruent with the projection of an instrument or singers head a couple of feet away, hence larger than what is induced by most socially acceptable live experiences... Shunyata remains blameless for implied breach of virtual etiquette... The recording engineer is responsible for calibrating distance between mikes and performer.
Bottomline
I did thoroughly enjoy Shunyata Ztron Anaconda, and deem its induced sonic geometries to be unimpeachable in my system.
G.