I think musicality has to do with the ability to express heart and soul, the ability to express a certain feeling and convey it in a way that listeners feel or relate to that same feeling. Musicality is expression of what is within one's self through the medium of melody and harmony, and different musicians have different levels of accomplishment, as well as simply having different interpretations of a piece, that is all subjectively enjoyed by each audience member. No person in the audience perceives the performance the exact same way, with some preferring other artists, techniques, or styles, none of which is right nor wrong, simply preferred.
I believe that the most 'musical' system is that which does not lose any information from the media it obtained it from, since the system itself is not expressing anything in and of itself, but simply reproducing that which was provided. Still, technique to an artist is not necessarily musicality (though it does provide better ability to express it), and likewise detail, soundstaging and perfect frequency response does not guarantee a 'musical' system.
I have heard live performances that were technically flawless, but inspired no emotion from me, and have heard performances where notes were missed but I still cried. The same has happened for me with systems, some sounding great in technical regards yet I am unmoved, while others may not accomplish all the 'audiophile' requirements but still grip me. I believe that this is the conundrum we all discuss, and all try to solve in our own systems with our own list of priorities of what makes up 'musicality'. Everybody's lists are most assuredly ordered differently, judging by the systems put together here!
I believe that the most 'musical' system is that which does not lose any information from the media it obtained it from, since the system itself is not expressing anything in and of itself, but simply reproducing that which was provided. Still, technique to an artist is not necessarily musicality (though it does provide better ability to express it), and likewise detail, soundstaging and perfect frequency response does not guarantee a 'musical' system.
I have heard live performances that were technically flawless, but inspired no emotion from me, and have heard performances where notes were missed but I still cried. The same has happened for me with systems, some sounding great in technical regards yet I am unmoved, while others may not accomplish all the 'audiophile' requirements but still grip me. I believe that this is the conundrum we all discuss, and all try to solve in our own systems with our own list of priorities of what makes up 'musicality'. Everybody's lists are most assuredly ordered differently, judging by the systems put together here!