audiophiles or retrophiles

Stanhifi's response is a prime example of what I was trying to address. This does not help anyone. If he would care to offer a reasoned explanation of why digital and solid state are so obviously inferior that any of us with exposure should appreciate that inferiority, that would be helpful.

Stanhifi, there are so many transduction processes in recording, beginning with when the acoustic energy hits the diaphram of a mic and is converted into electrical energy through to when electrical energy is converted to acoustic energy by a speaker, it surprises me that you would choose to dwell on whether the electrial energy is passed through solid state or vacuum, whether a waveform recorded digitally is maintained as a digital representation or pressed into vinyl and read from vinyl (two more transductions). One would surely think the transduction processes would be the weak links.

db

If Rockvertigo means that my analog system sounds better than his bits and bytes makes me a retrophile, hang a sign on me as I'll proudly be the poster girl for the AARP-Vinyl Chapter.
Judy

Nice Scottish fling there Rockvirgo, but now I'm confused. Your comment did not appear as a rhetorical question but as a statement of conviction that you may personally subscribe to. So before Judy goes out and meets her photo op. leaning on her walker (Proscenium Gold Signature)preferably and I start packing an envelope full of the silver certificates I've had buried out in the yard in a coffee can, I think it's time for some s'plain'in Lucy. Where do you stand? Are you in or are you out?

Rf, for about 20 years I was your basic audio caveperson, strictly sharp stick on potter's wheel. Then about five years after CD's caught on, finally so did I. There's no turning back now. However, with CD giving way to DVD and both becoming redundant to menu driven programming, color this two channel only hardcopy coveter one of a dying breed and definately retro.

Judynamic426, byte me :^)

While over here sharpening a stick (Ceramic Boron cantilever)… Where are my fellow flat earthers when I need them? Apparently on holiday still. Here again is the problem I find with the current state of affair with digital this and that for those of us who have been around longer than it. Rummaging thou my dusty, outdated, old format I found something you might find interesting Rockvirgo (per your 5/27/03 thread). When our beloved Fairport Convention released Unhalfbricking in the year of our Lord 1969 it was issued in the motherland on Island records. The first press was on a pink rim, palm tree label ILSP-9102, this cover showed an aging couple standing outside a gate with the band lounging in the yard beyond on the lawn (on the front) and the band sitting together sharing supper at a table (on the back). It was subsequently released here in the colonies on the A&M brown SP-4206 label briefly; this cover had your elusive elephants portraying a circus act (on the front) and a b&w of the front cover theme repeated (on the back). Brit releases often sound a bit more forward in vocal and pay attention to the strings, my personal favorite for presentation. Where as the U.S. releases generally are a bit more smoothed out soundstage wise and the vocals are back with the instruments. I feel it does not represent the music with a conviction commensurate with the energy of this band but in this particular case they are virtually identical. The digital realm has plenty to offer, visa vie our conversation but ... Anyway, digital had nothing to do with either of these excellent versions and often leaves out many of the particular details. This is precisely what motivates me to pursue analogue. Cheers!