I have tried the ML 331 in may high resloution system w Muse CDP and Muse pre and Audío Artistry Dvorak speakers. The ML was OK but not nearly as good as the Rowland model 2. The Rowland has a more realistic warm alost tubelike sound without losing out in details and soundstage and dynamics. The Rowland is used about 2500USD and makes a fantastic match w Muse 3 pre.
Help Levinson 27.5, 331 or Plinius SA100?
I'm looking at these amps for my system of Sonic Frontiers SFL-2, SFT-1 transport, Theta Pro Basic IIIa, Vandersteen 2Ce SIgnatures.
Since I listen to complex orchestral music, as well as jazz & vocals, I want an amp with a big, open, pinpoint soundstage that separates individual instruments well. But I also want to hear each instrument as an individual entity, with bloom and dimension. I dislike sibilance or brightness, but don't want a rolled-off sound either.
I want too much, right?
Reading reviews on Audioreview.com, each of these amps received widespread praise. Some loved the older Levinsons, such as the 27.5 & 23.5, and criticized the newer (331-336) models as disjointed or rolled off or unreliable.
A number of 331-336 owners loved the pieces to death.
Most loved the Plinius.
I want to get to the bottom line on these pieces. Can someone help?
Since I listen to complex orchestral music, as well as jazz & vocals, I want an amp with a big, open, pinpoint soundstage that separates individual instruments well. But I also want to hear each instrument as an individual entity, with bloom and dimension. I dislike sibilance or brightness, but don't want a rolled-off sound either.
I want too much, right?
Reading reviews on Audioreview.com, each of these amps received widespread praise. Some loved the older Levinsons, such as the 27.5 & 23.5, and criticized the newer (331-336) models as disjointed or rolled off or unreliable.
A number of 331-336 owners loved the pieces to death.
Most loved the Plinius.
I want to get to the bottom line on these pieces. Can someone help?
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- 8 posts total
- 8 posts total