I've used Spectral DMC20 (modified) and DMA180 on ML Monolith and Audiostatic ESLs. They did seem to perform best with the best ($$$) MIT cables, (tended to tame a slightly dry upper mid, lower treble). Outstanding sonics with turntable as source with lots of detail. Ultimately, I went with tubes which were more satisfying with the electrostatic panels. In my system, OTL amps produced the best sound that I consistently got from ESLs. Enjoy.
What do you guys think of Spectral?
I'm interested in getting a Spectral DMC12 and DMA90 combo. I'm driving a pair of Martin Logan Ascents. What do you think of the sound? Has anyone heard either of them together and do you think it will be too bright. And finally would do you think there is more detailed stuff out then then Spectral?
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- 4 posts total
- 4 posts total