This is nothing new. Center channel speakers have been around since the dawn of stereo, usually driven with an L+R signal. Of course this is the most simple "Matrix" multichannel. As with all matrix multichannel, gain riding logic can be applied to good effect, and this is what this trinaural device does. Matrix derivation of three channels out of two works very well. Going for four out of two is much less successful. The Dolby PL2 function of my SS processor has a three channel mode that is useful for playing stereo recordings. Benefit of a center channel is greatest for recordings where there is a soloist, vocal or instrumental. The soloist is solidly located in the center speaker, and not a phantom relying on imaging of the two stereo speakers. As with all matrix multichannel, some recordings will work better than others.
The particular unit in question may be an excellent example of the matrix multichannel technology. I wish it had been around three decades ago, when I kluged up a similar system using a DBX dynamic range expander. However, we now have discrete multichannel equipment, and no matrix system, however well implemented, can match discrete multicannel
recording.
The particular unit in question may be an excellent example of the matrix multichannel technology. I wish it had been around three decades ago, when I kluged up a similar system using a DBX dynamic range expander. However, we now have discrete multichannel equipment, and no matrix system, however well implemented, can match discrete multicannel
recording.