Bhouser is correct. and right on target!!!! I have a TM8800pro which is among the finest processors available in terms of sonics. I am glad that they do not put the analog pass through through any bass management, because it might impact on its ultra transparency.
I use an Outlaw ICBM to manage bass for my SACD player which is a Modwrights modified DV47a.
And I have 2 Vandersteen 2wq subs for 2 channel that (like the Rel mentioned above) connect to the speaker level outputs of the amp. I like this better for the fronts anyway...because this leads to great blending between the subs and the mains.
I then have a Velodyne sub for LFE coming out of the processor.
I'm listening at the moment to an SACD of Midori playing the Mendelsohn violin concerto. Spectacular recording because the surrounds are utilized for ambience alone....and the center is not overutilized. So much of multichannel depends on the mix....but i'm moving off topic here.
If any questions don't hesitate to contact me at harry@brandtmd.com
I use an Outlaw ICBM to manage bass for my SACD player which is a Modwrights modified DV47a.
And I have 2 Vandersteen 2wq subs for 2 channel that (like the Rel mentioned above) connect to the speaker level outputs of the amp. I like this better for the fronts anyway...because this leads to great blending between the subs and the mains.
I then have a Velodyne sub for LFE coming out of the processor.
I'm listening at the moment to an SACD of Midori playing the Mendelsohn violin concerto. Spectacular recording because the surrounds are utilized for ambience alone....and the center is not overutilized. So much of multichannel depends on the mix....but i'm moving off topic here.
If any questions don't hesitate to contact me at harry@brandtmd.com