Lowrider, my intuition tells me that the 3rd and 4th offer superior master recordings when compared to the others and that is not only why they sound better in the the DG box set but it is also why they were chosen by the Japanese engineers for remastering. The Japanese labels aren't going to waste time with recordings they can't make sparkle because they have to pay too much for the tapes and rights.
Also, I wasn't aware of this online citation because it wasn't included in the Karajan Japanese Beethoven description but I found it elsewhere and I feel it to be relevant since most of us have standard CD players (including myself) and not the SACD type players.
' Reissue features the high-fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard CD players).'
Too bad.
Also, I wasn't aware of this online citation because it wasn't included in the Karajan Japanese Beethoven description but I found it elsewhere and I feel it to be relevant since most of us have standard CD players (including myself) and not the SACD type players.
' Reissue features the high-fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard CD players).'
Too bad.