Detlof: "I began to wonder, if any member of the 'honorable opposition' ever went to live concerts" is what is known as an ad hominem attack. It's also quite false. The last time I went to Carnegie Hall, I didn't hear any of the effects of out-of-phase rumble, nor did I notice an excessive amount of inner groove distortion. Those two effects, among others, are endemic to vinyl reproduction. By the way, they are not endemic to analog, since they aren't evident on analog master tapes. That's why it's known as distortion. Some audiophiles may like the sound of that distortion, just as they may like the way a SET amp clips or the way a cable rolls off the high end. But that's not because it's "closer to real music." It's just closer to what you like. And it's perfectly okay to like it (hell, I like some of it myself), but let's not make of it more than it is.
Speaker wire is it science or psychology
I have had the pleasure of working with several audio design engineers. Audio has been both a hobby and occupation for them. I know the engineer that taught Bob Carver how a transistor works. He keeps a file on silly HiFi fads. He like my other friends considers exotic speaker wire to be non-sense. What do you think? Does anyone have any nummeric or even theoretical information that defends the position that speaker wires sound different? I'm talking real science not just saying buzz words like dialectric, skin effect capacitance or inductance.
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- 150 posts total
- 150 posts total