Turntable suggestions?


I'm considering adding a turntable to my existing system. I have over 1000 albums that I've collected since the 1950's. Most of them are in excellent condition, as I've always been careful about cleaning them and not leaving them out on the turntable, floor, bed, etc. to collect dust. I have at least 25 MFSL albums and even some quadraphonic albums. It's been over 20 years since I've played them. I still have my old Dual CS 604 with an Ortofon (sp) cartridge. At 2002 CES and T.H.E. Show I heard quite a lot of analog and enjoyed the warmth, beauty and natural sound the turntables produced.

My current system consists of Dynaudio Contour 3.3 speakers, Plinius SA250 MKIV amp, Audio Research Ref. Two preamp all using NBS Monitor I cables.

I'd consider around $2500 for a used turntable.
rosstaman
I was in the same situation with over 1000 LP's. I got a tremendous amount of advice and finally settled on the following:

Michell Gyro SE II:
http://www.michell-engineering.co.uk/tur1.html#gyrose

Origin Live RB250:
http://www.tonearm.co.uk/index.htm

Aragon 47k w/IPS:
http://www.klipsch.com/mondial/index2.asp?path=/products/mondial/index.asp?frame=y&id=&line=&1

Koetsu Redwood

I consider the table and arm a STEAL at full list price. The 47k can be found used very cheap. As for cart, well there you need to do some homework. I got the Koetsu as a demo cheap. I hope this is helpful.
I started with a Basis 1400 and Origin Live Modified RB250 (within your price range). As I could afford it, I upgraded the Basis table and received full retail credit from Basis for the one I traded in. I am now up to the 2500. My next upgrade will probably be to the vacuum 2800. At one point, I sold the RB250 for almost as much as it cost me and upgraded to the Graham 2.2.

The Basis 1400/Origin Live RB250 is really a very good table and you have a clear upgrade path ahead all the way to the DebutV/Graham 2.2 combination, without any loss of your prior investment.

Basis tables are incredibly easy to set up and maintain and every table in their line will bring out the magic in vinyl.
Well, any advice that omits the VPI turntable line is incomplete. Many people think that VPI's products offer excellent value and build quality, and they also have the advantage of being upgradable as your requirements (and budget) increase. You could start with a VPI HW-19 Jr with a Rega RB300 or RB600 arm, and have a great starter system. Then, as time allows, you can upgrade to the HW-19 Mk 3 or Mk 4. The upgrades that I refer to involve improvements in the suspension, platter, and spindle. The HW-19 Mk 4, which uses many of the parts from VPI's higher-priced Aries and TNT turntables, represents one of the best values in high-end turntables. The AudioAdvisor carries VPI turntables, with and without arms, so you could contact them for more info.

The other obvious choices among moderately-priced turntables are the various Rega models, and those made by MusicHall and ProJect.
Break apart a VPI and a Sota and then decide which one is built better and will deal with "real world" conditions. Keep in mind that ANY vibration transferred through the chassis to the stylus / arm WILL cause tracking distortion.

One of my buddies recently had the "opportunity" to "demolish" a VPI at no cost. He had already owned a Sota and decided to try a VPI based on all of the "hoopla" in audio mags and on the net. Well, the VPI arrived in pretty bad shape even though it was packed like a tank in the original carton and packing. All of that was put in another box with extra packing between them. Keep in mind that the outer box barely showed any damage, so it didn't take much to "obliterate" this TT.

Since the unit was going to be totalled out ( UPS has already paid out on this one believe it or not ), he pulled the VPI apart to look at it. Not only was the unit split at several corners, the spindle was also bent. After doing a thorough inspection of the VPI and comparing it to the internals of a Sota that he was already familiar with, he changed his mind about the VPI and bought a Sota Star Sapphire from the same dealer. The Sota was also shipped through UPS and arrived unscathed ( luckily ).

Besides the quality of construction, the VPI will not deal well with heavy footfalls, suspended floors, LOUD music i.e. acoustic feedback and will require a LOT more isolation to equal the far superior suspension of the Sota.

For the record, let me state that this info came to me directly from the source and was strictly his "opinion" or "preference" based on what he observed. Others may have observations or experiences that differ with the above posted comments. Sean
>
Thanks everyone for the advice and feedback. I'm going to take my time to do a lot more research and listening. Sean, a friend of has the Sota Star Sapphire and loves it.

Peace,
Ross