Which IC is more important?


I don't know if this has been addressed specifically before, but I couldn't find it searching thru the cables forum. At the risk of being redundant, I'll put this forward to the community.

Looking at a CDP - line stage - amp sequence, which of the two IC's is more critical? Any reason, scientific or other, as to why? What have your experiences been in using different IC's in these places (ie. type of IC, quality, cost, etc.)?

Looking forward to hearing about your experiences.
mapleleaf
In defense of ML: W/O pretending to know the style or manner of all the regulars on this board (including him) I saw through his curt statement. He didn't intend to be insulting or ungrateful, though he certainly came off that way. He was just expessing his honest feelings without sugur-coating it: He simply enjoys and appreciates the longer posts thats all.

There were many excellant comments admonishing his behavior as well, that I do not want to slight. Every one (thank goodness) is a unique individual who thinks and express' themselves differently, hopefully with a clarity and intelligence. Judging by this post I believe we can guess my preference; apologies to those fans of brevity.

I especially concur with Sean's advice for finding out yourself, side tracks/pit falls included, if only to appreciate "your work of art". True appreciation is measured by the scarfices indured (hows that for short). I also agree with Carl, IME especially of late, the link between line stage and amp is pretty damn critical, least to these ears. YMMV.

MikE
The interface between all components is obviously critical, I think everyone agrees with that - for me the preamp/amp connection is the most critical and I proved it when I did extensive auditioning of cables. I noticed a bigger difference when swapping out that interface vs. source to preamp. Can't say why but it was...YMMV
A couple of comments have implied that I'm trying to take short cuts to "audio nirvana" by putting up this post. I'd like to make it clear that I am not. I am trying different stuff on my own, in different places on my gear. It's been, and always is, great fun and a great hobby.

If you construed from my comments that I'm looking for advice like "Hey, try cable XYZ that costs ABC dollars at your source because it'll sound good!", then my question and dialogue should've been more clear.

Your input is great, long or short. I don't believe longer is better. I'd love to hear about your journey in getting to where you are today though.

I'd also like to share with you about what prompted me to post this question. I swapped cables X and Y in my gear, and after letting them settle, I concluded it sounded horrible in that configuration. Putting them back the other way sounded good again. Obviously something is afoot...little cable elves got upset???
Thanks for clearing things up Mapleleaf. Sorry if it seemed like i was jumping on you or "nagging". It was not intended that way but may have appeared as such.

As to Pop's findings about the cables between his pre and power amp making a BIG difference, that should be obvious to all involved with this hobby. That specific interface will affect EVERYTHING in the system. Unlike changing the cable for just one source, ALL of the various source signals AND the preamp have to pass through it. That's why i posted a link to "voicing your system" over in the Cable Asylum. Knowing what cables to change and when to change them can make a WORLD of a difference in terms of budget and system synergy. Sean
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Thanks for your comments Sean. I appreciate any constructive criticism. At least you didn't resort to juvenile antics to admonish. I would like to be a positive person here, and not one prone to hissyfits or negavitism. Always enjoy your input, and read your link with great interest.

I've got a really simple system. I have a source, line stage, and amp. So theoretically, swapping cables here should be "equal" in terms of impact, right? I've found that this is not the case, so there must be synergy or something here at work.