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Is the Teres a

I have just read Art Dudley's review of the Quattro Supreme (Stereophile, October issue), a table spawned from the basic Teres design. (The friendship, then break-up of the original Teres group is also mentioned as a side story.)

I have no experience with the Teres but the Supreme - a design very similar to the Teres - priced at $6,000 got a "B" rating (actually meaningless, but someone's got to give it some rating because we are a rating-mad people!).

Why doesn't Chris Brady send Art a table so that he could at least give the Teres a good review and exposure?

Art's reference, the LP12, by the way, beat the Supreme in one area: PRaT.

Cheers,
George
ngeorge
psychicanimal
1,738 posts
 
Like I said before:

The better my system sounds the more *physical* it gets. You can have an expensive system that is ultra quiet, ultra detailed, with good imaging yet Laks "boogie factor".
dougdeacon
3,338 posts
 
"...maintaining as perfect-as-possible speed stability in the face of stylus drag (the Great Enemy) is the way to preserve the PRaT of the original performance."

My point exactly Jean, and this is why I had a problem with the PRaT comment NGeorge quoted from Art Dudley's review. How could an LP12 resist stylus drag better than a Quattro Supreme? That just seems so unlikely...

BTW, what instruments/voices do you guys find to be most vulnerable to stylus drag? For me it's massed violins, but I'm curious what other musical sounds you've noticed that need "perfect" speed stability to sound acceptably realistic.
4yanx
1,576 posts
 
Voice (that's an instrument, right?), especially sustained female notes. Keyboard tremolo comes to mind, too. The kind that gives you a real "visceral" feel when it's reproduced correctly. Jean mentions the speed stability of his Lenco. I tried some newly acquired Tito Puente LP's (ones with a lot of vibraphone) on one of my Lenco projects and damned if that solid speed stability didn't let that sound come through in spades.
4yanx
1,576 posts
 
Sorry, though, this is waaaaay off topic.
ngeorge OP
57 posts
 
Art Dudley's little story about Thom and Chris may not be able to bring them back together. Yet it's quite comforting to know that although they "march to different drummers" now, they still pursue their love of music, or more specifically, their vehicle to transport the music to a higher level.

How they began as an internet group, to how they first formed an alliance, to their eventual split, was told with an ending different from where they finally wound up - their separate ways.

Be as what it is today, they will meet at the Rocky Mountain Audiofest and compare tables and notes to see whose design would merit the consumer's requirements and desire.

Whoever wins, there will be no losers. Because they have evened the playing fields and proved that regardless of their past (they're friends, aren't they?) they would have served the common good.

God bless them!

What if we have a tie?

Cheers,
George
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