Hmm... where would one find out which labels require which curves? I did play one of those old LPs and it did sound weird, but the equipment was laughably unrealistic, badly configured (bass, treble whacked max, loudness turned on, big boomy Kmart speakers). I wasn't 100% sure that I was hearing a weird EQ curve or just bad reproduction. (The equipment was quite good enough, though to figure out if the LPs were in good shape, which is what I think is its intent.)
older LPs - different EQ?
After seeing 35,000+ LPs in one place on Sunday, including a wide variety of selections from the early years of recorded music, I suddenly remembered a foggy thing that I read a while back, and I want to confirm.
My impression is that pre-1958 or so (1955?) the record companies used a different equalization curve than the now-ubiquitous RIAA equalization. Is this true? If so, what sort of phono stages do equalization for these properly? Anything else to be aware of in this space?
My impression is that pre-1958 or so (1955?) the record companies used a different equalization curve than the now-ubiquitous RIAA equalization. Is this true? If so, what sort of phono stages do equalization for these properly? Anything else to be aware of in this space?
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- 11 posts total
- 11 posts total