"Beginner" audiophile Turntable for $200-$300?

Hi Bundeel,

Glad to be of service...I hope this post (and my indecision) can be of help to others who are new to analog, like me.

I have also seen that the Regas run 1% fast, but based on my research that is far outweighed by the fact that:
1) The Regas/NAD have gotten much better reviews than the Music Halls (based on my research - check out the reviews of all of them on AudioReview.com).
2) The Regas/NAD are much more upgradeable (again, this appeals to me)
3) The tonearm of the Regas/NAD are considered some of the best, and are used on many other turntables. They are often used when upgrading one's turntable to a better one.
4) The poor quality of manufacturing/workmanship of the Music Halls (I've read how many state that the wiring falls off of the headshell when changing the cartridge - the first time! and other issues).
5) The manuals that come with the Music Halls are that good, it would seem - especially someone new to analog/tweaking/setup - that they don't assist well enough in the setup of all the adjustments.

This is still why I can't seem to bring myself to spend $260 on what is considered by many THE entry-level, "beginner" audiophile turntable...the Music Hall MMF-2.1. Instead, I'm strongly leaning toward the $370 NAD 533, which is actually more of a competitor to the MMF-5...I believe (or at least in between the MMF-2.1 and the MMF-5).

Just my $.02!

Wes

$450 will get you a brand new 1200. It is a far better deck than the glass and particle board bunch. Besides, it it upgradeable.

I just talked yesterday to an audio industry personality. She told me she has two TTs: a Basis and a modded 1200 w/ an SME arm. There's some serious people out there using modded 1200, yours truly included.

I just picked up an mmf 2.1 today but havent opened it yet. I got a good deal from my usual dealer (Sound by Singer). Even though my regular salesman just left on an installation call, they were able to reach him to ok my usual deal with him. Thats nice service. Aside from being my regular place to shop, they were the only place in NYC with the 2.1 in stock. Lucky me. Im so excited about setting it up and scouring the city for vinyl. I got a good enough deal, where if I want to sell it in the next year, I wont lose too much dough. Thanks for all the help guys Ill post a short review when I get it setup and run in.

Wlusk:

You asked me to comment on your consideration of a Technics BD20 vs. VPI, as I purchased VPI to move away from the same Technics. Here's my comments:

Disclaimer: Many here on Audiogon have been involved longer and to much deeper degrees in this sport than I (and some are dealers, resellers and manufacturers), so the most I can offer is anecdotal comments based upon my own limited experience. Also, realize I am a recording and performing musician, and my needs and priorities may be in some ways atypical compared to yours (as well as other non-musician audiophiles).

All that being said, my story: I had for many years resigned myself to the compromise that the only place I would enjoy accurate, musically rich reproduction was in the recording studio. I had never had a stereo that approached the level of resolution and detail that is a given in the studios I had worked at. My stereo (a wedding present) at that time consisted of Infinity monitors, Yamaha receiver, Kenwood cassette deck and Technics BD20 'table. Your basic Good Guys starter system.

I got into hi end by accident, after stumbling into a stereo store while window shopping. I was attracted to the beautiful tube amps in the window. That's when I first heard Magnepan 3.6 speakers, which was a musical (and I emphasize MUSICAL rather than technical) experience I hadn't had before, not even with typical studio playback systems (you other recording musicians will realize why).

So I eventually purchased a used pair of Maggies right here on Audiogon. But my Yamaha was far outclassed and underpowered to drive them. That led to a used Plinius 8200 integrated. Which proved so revealing compared to the Yamaha that it led to complete dissatisfaction with the Technics. (I bet this sounds depressingly familiar to a lot of you....)

At this point my wallet was weeping but my ears were ecstatic. So I came here to the Audiogon Analog Forum for advice. I asked the same kind of question you asked, as countless other threads here have asked, and received the same advice I noted on the other thread you saw...the Music Hall and Rega are good 'tables, but the VPI gives you an upgrade path.

You may not think you're a tweaker now, but my money is riding on you getting the itch after you get into this sport.

So I gotta tell you, the VPI is, IMHO, in a completely different class than the Technics. For me, it's an order of magnitude kind of difference - apples and oranges. So I would suggest you save for a while and go VPI.

Now, I haven't listened to ANY of the other 'entry' tables recommended here. I took a leap of faith based upon the advice here on the forum, and was rewarded greatly.

Also, your mileage may vary:

1) Only you know what you can really afford
2) The rest of your system may not reveal the differences in sources as much as mine did
3) Your listening habits and tendencies are unique to you. I listen as a recording musician; you may not. My choices of genres is extremely eclectic. I have certain timbral expectations from particular instruments because I play them or have played with them for years. I typically listen at near live performance sound pressure levels. I have a large listening room with a vaulted ceiling. Most importantly, my wife of 17 years understands what it means to live with a musician (and my two sons both play instruments as well).

None of this is intended to elevate my expectations over yours or anyone else's...my system is most certainly pedestrian compared to many other's. It cost me what I feel is an exorbitant amount of money; others have paid twice as much or more for one monoblock. Others are far more particular about soundstage, imaging, etc., etc.

All to say I don't know if my comments really help you much in the end. I would wholeheartedly recommend saving and waiting for the VPI instead of buying the Technics now, but all the caveats above should carry far more weight for you than what I can offer.

Hope this helps you to some degree, and let us all know what you decide to do.

Regards,

Tim

I have a simple question for you... I have 2 turntables in the house (one was my wife's before we got married, the other was mine). One is a Technics SL-QD35 direct drive, and one is a Technics SL-BD22 belt drive.

I know both are cheap, low-end models, but which is the better of the two turntables? Since I can't afford a new TT at this point, my plan is to put a Grado Prestige Blue in one of these... I just need to know which one is the better choice. I want to squeeze as much quality out of it as I can.

Thanks for the advice,
Brad

(If it helps to know, the other pieces of the puzzle are a Parasound PHP-850 into a pair of Wave AV8 mono blocks and B&W DM-302 speakers. Not exactly "audiophile", but better-than-average-Joe, I hope.)