Phononic Energy?! Just means LOUDNESS, right? Correlated to sones, etc....
Yet indeed I find a shimmeriness (good word) for the silver IC I used from CDP to pre. A great all copper cable seems fuller in the mids, but I believe only because the silver cable's mids are laid back. What's the absolute reference here? I dunno...either the copper has a bump at 1-3k and/or rolls off up top AND/OR the silver has a dip and/or peak, respectively.
If this is all it's about, then sure you can mix and match, without respect to additive/subtractive order, right?
My Pass amps LOVE the silver in Red Dawn, but only after the copper Discovery Essence perfected (filled and flattened?) the source (EC EMC-1 MkII); the Pro-Silways are lean and WAY laid back by comparison, with a wispy shimmer up top.
So for me, great copper and then good silver works fine....
Keeping to one manufacturer for all cabling needs is a notion I still can't give much credence to, as the components (especially the transducers: source and speakers) and room are far more responsible for spectral and timing phenomena.
In the end, you'll just have to trust your ears, and perhaps avoid the extreme mismatches, like lean silver with cheap ss or extra-warm copper with high-output impedence SETs, etc.
Yet indeed I find a shimmeriness (good word) for the silver IC I used from CDP to pre. A great all copper cable seems fuller in the mids, but I believe only because the silver cable's mids are laid back. What's the absolute reference here? I dunno...either the copper has a bump at 1-3k and/or rolls off up top AND/OR the silver has a dip and/or peak, respectively.
If this is all it's about, then sure you can mix and match, without respect to additive/subtractive order, right?
My Pass amps LOVE the silver in Red Dawn, but only after the copper Discovery Essence perfected (filled and flattened?) the source (EC EMC-1 MkII); the Pro-Silways are lean and WAY laid back by comparison, with a wispy shimmer up top.
So for me, great copper and then good silver works fine....
Keeping to one manufacturer for all cabling needs is a notion I still can't give much credence to, as the components (especially the transducers: source and speakers) and room are far more responsible for spectral and timing phenomena.
In the end, you'll just have to trust your ears, and perhaps avoid the extreme mismatches, like lean silver with cheap ss or extra-warm copper with high-output impedence SETs, etc.