Good, Neutral, Reasonably Priced Cables?


After wading through mountains of claims, technical jargon etc. I'm hoping to hear from some folks who have had experience with good, neutral, reasonably priced cables. I have to recable my entire system after switching from Naim and want to get it right without going nuts! Here is what I'm looking for and the gear that I have:

Looking for something reasonably priced-i.e. used IC's around $100-150. Used speaker cable around $300-400 for 10ft pair.

Not looking for tone controls. I don't want to try to balance colorations in my system. I'd like cables that add/substract as little from the signal as possible.

Looking for something easily obtainable on the used market i.e. that I can find the whole set up I need without waiting for months and months. I guess this would limit you to some of the more popular brands. Without trying to lead you, here are some I've been considering:

Kimber Hero/Silver Streak
Analysis Plus Copper Oval/Oval 9
Cardas Twinlink/Neutral Reference (Pricey)
Wireworld Polaris/Equinox

Here is my gear:

VPI Scout/JMW9/ATML170
Audio Research SP16
Audio Research 100.2
Rotel RCD 971
Harbeth Compact 7

I would really appreciate your help on this. Thanks, as always.
128x128dodgealum
Sean,

It would be nice is to understand the objective characteristics which lead to these subjective differences we hear with interconnects, as opposed to speaker cables. It seams to me (this is offered as a straw-man) that interconnects are suppose to offere a voltage signal to the various components where speaker cables are suppose to deliver current to their load; the hypothesis is that the amp upstream equipment (connected by interconnects) is more susceptible to the voltage/current differences than the amp is. The analog is a circuit designed to measure/deliver voltage is quite different than that to measure current.

Perhaps this is what you've been saying all along?

Best,
The irony in the cable game relative to Sean's post is in trying to get from his paragraph 4 to paragraph 5. (no intent to pick on Sean). It's the fact that cables do change from placement to placement that causes people to spend so much money buying, trying, then selling at half price. If there is any way around this trap, I'd be most interested in hearing it. With a lot of experience, you can characterize how your system reacts with a variety of cable designs, but reducing it to a set of rules that will actually help in avoiding making the same mistakes again is something that escapes me. In power cords, for example, I can take 4 similarly constructed cables used in the same position, and they all sound quite significantly different from one another.
So far, the best method I've found is listening to characterizations by other people. If enough people who are theoretically free of outside influence ... post opinions on a cable's character, you get a reasonable picture of how it usually performs across a fair spectrum of equipment.
Also, can we get a definition of what is electrically backwards in the cable world? Undoubtedly yes, but for starters, would anyone venture a guess as to whether any of the following are electrically forwards or backwards:
- networks and network boxes
- magnets
- padding with rice paper, cotton, ers cloth, etc.
- mechanical resonance controls
- wildly improbable conductor materials
- the need for amorphous non-crystalline metal structure, assuming the conductor is made out of metal
- dc current added to the shield
- water or other jackets for novel shielding

And that's just a start on the list of novel approaches to defeating a list of transmission line issues, real or theoretical or purely imaginary. So as a practical matter, how do you, the user, sort out what a cable will do without a lot of trying ($$$$) :^)
try Goertz MI1 or MI2 speaker cables: http://www.alphacore.com/mispeaker.html
or Kimber 4TC 0r 8TC (not as good as Goertz} and more expensive.
Re. objective characteristics of cable behavior, I've found the audioholics site to be worthwile food for thought:

audioholics site

They seem to be pretty far toward the 'objectivist' end of the spectrum of thought re. cable performance, which some will find more appealing than others. The hard data they provide is valuable regardless of its interpretation and eventual shoehorning into electronics theory (which gets very esoteric very fast, at least for me.)

If one can make use of it, perhaps the data can aid in choosing cable evaluation candidates, and perhaps in understanding cable placement differences as well. (impedance matching, capacitance, etc...)

There have also been a couple of articles in Stereophile re. cable theory, at least one of them was by Herve Delatraz, who makes the DarTzeel amp, if I recall correctly. I couldn't find them on the website- perhaps they are only available in print, or I wasn't looking in the right places online.

Fun thread!
Interesting, Tommy.

I must say this site (have never run across it before) appears to have an axe to grind. For example, they slam the Goertz speaker cables for introducing a large phase shift; the problem is it's out of the audio band and therefore irrelevant. In fact, when you assess their data on the cable, it's quite flat in the audio range.

Seems hard to get an "objective" opinion.