Wow Inna, 500 hours is incredible. I feel I'm pushing my luck if I wait 50. Nak recommends cleaning every ten hours.
Dolby C was relatively new on the scene when I got my Nak. The extra 6dB of published signal to noise ratio for C vs. B sold me. I record everything in Dolby C using TDK MA, leveling the hottest signal at a hair under +10dB and pre-adjusting the bias until I can't tell the difference between the source and the tape.
But yeah, sometimes at low playback levels I get the feeling I'm missing something. At normal volumes and beyond though, the sound comes into itself and becomes quite natural. Then I'm glad the tape doesn't sound too hot. Tell you what, I'm still so chuffed over the extended playing time of tape that I prefer it to spinning the original records. Along with the confidence that good metal tape imparts, it's just too easy.
Dolby C was relatively new on the scene when I got my Nak. The extra 6dB of published signal to noise ratio for C vs. B sold me. I record everything in Dolby C using TDK MA, leveling the hottest signal at a hair under +10dB and pre-adjusting the bias until I can't tell the difference between the source and the tape.
But yeah, sometimes at low playback levels I get the feeling I'm missing something. At normal volumes and beyond though, the sound comes into itself and becomes quite natural. Then I'm glad the tape doesn't sound too hot. Tell you what, I'm still so chuffed over the extended playing time of tape that I prefer it to spinning the original records. Along with the confidence that good metal tape imparts, it's just too easy.