Theaudiotweak,
Which Denons? The Sony 999 STILL has the dreaded chroma bug, the picture is soft, and not the same caliber as the 2900. I've done side by side comparisons with these decks on a number of displays, including FP and RP set-ups.
The 2900 is light years ahead of their last generation of decks for DVD playback, including no chroma upsampling error.
I suggest, if you haven't already, try the 2900...it is easily the best DVD picture and navigation I've seen under one thousand dollars to this point. Sure, there are decent DVD players even around the $300 price point, but not with the capabilities of the Denon...including buffering for seamless layer changes and excellent DACs and build quality.
This is one place I disagree with Isakmixer. I, too, am an audio engineer and have quite a bit of experience with SACD/DSD and DVD-A playback. Isak...how long has your Denon been burned in? I have just over 100 hours on mine and SACD playback has opened up tremendously over the break in period. I also consider DVD-A playback pretty good, in comparison with the Denon 9000 and other high end DVD-A electronics. Certainly, not the last word in DVD-A...but easily 90-95% of the 9000. As far as the bass management is concerned, DVD-A and SACD are recorded level across all frequencies...DD and DTS are boosted 10db in the LFE. The 2900 is 10db low on the analog LFE output, but this can be corrected in your pre-pro, IF your pre-pro can remember channel levels for seperate inputs...most new generation receivers and pre-pros can do this. It is THE most extensive bass management to date on any multi channel deck, IMO. All you do is calibrate your external input (analog pass-thru) the same as digital input for a guide line and adjust sub input accordingly. On my system, the sub was bumped 7db to hit 75db at reference level.
There has always been an issue with bass management for high rez music...just a dirty little secret kept by the early adopters. For easy to use BM, one only needs to add an outboard bass management box like the ICBM from Outlaw. There are others and I am not affiliated with Outlaw. My point, as yours Isakmixer...until we are offered a true digital signal from deck to pre/pro for HighRex from the music industry, bass management that does all we ask is still a ways off.
Doc
Which Denons? The Sony 999 STILL has the dreaded chroma bug, the picture is soft, and not the same caliber as the 2900. I've done side by side comparisons with these decks on a number of displays, including FP and RP set-ups.
The 2900 is light years ahead of their last generation of decks for DVD playback, including no chroma upsampling error.
I suggest, if you haven't already, try the 2900...it is easily the best DVD picture and navigation I've seen under one thousand dollars to this point. Sure, there are decent DVD players even around the $300 price point, but not with the capabilities of the Denon...including buffering for seamless layer changes and excellent DACs and build quality.
This is one place I disagree with Isakmixer. I, too, am an audio engineer and have quite a bit of experience with SACD/DSD and DVD-A playback. Isak...how long has your Denon been burned in? I have just over 100 hours on mine and SACD playback has opened up tremendously over the break in period. I also consider DVD-A playback pretty good, in comparison with the Denon 9000 and other high end DVD-A electronics. Certainly, not the last word in DVD-A...but easily 90-95% of the 9000. As far as the bass management is concerned, DVD-A and SACD are recorded level across all frequencies...DD and DTS are boosted 10db in the LFE. The 2900 is 10db low on the analog LFE output, but this can be corrected in your pre-pro, IF your pre-pro can remember channel levels for seperate inputs...most new generation receivers and pre-pros can do this. It is THE most extensive bass management to date on any multi channel deck, IMO. All you do is calibrate your external input (analog pass-thru) the same as digital input for a guide line and adjust sub input accordingly. On my system, the sub was bumped 7db to hit 75db at reference level.
There has always been an issue with bass management for high rez music...just a dirty little secret kept by the early adopters. For easy to use BM, one only needs to add an outboard bass management box like the ICBM from Outlaw. There are others and I am not affiliated with Outlaw. My point, as yours Isakmixer...until we are offered a true digital signal from deck to pre/pro for HighRex from the music industry, bass management that does all we ask is still a ways off.
Doc