Since the groove walls are angled, there is inevitably some stylus movement in the vertical plane. But there are very big vertical movements when a warp in the record is encountered. A large mass will actually leave contact with the record after being "thrown" up in the air by the warp. Then it will come back down at some later point of the record. This is generally not desireable. Typically, designers will make the arm as light-mass in the vertical plane as is practical. This normally also sacrifices horizontal mass, and was the reason for my tonearm mod, which separates and allows different mass in the horizontal and vertical planes. When an arm is not designed to have independent vertical and horizontal masses, then there is an inevitable compromise between light vertical mass for warp tracking, and heavier horizontal mass for cartridge stability. One or the other will suffer from the compromise. I promise that I did my homework.
Creative and cheap DIY turntable/tonearm tweaks
Has anyone tried experimenting with a stock Rega tonearm to see what damping it by filling it with some spray foam insulation would do to the acoustics? How about sand filled? The more acoustically dead an arm is the better I would think. There doesn't seem to be much discussion on this forum about cheap DIY tweaks - just about spending more money on the latest hyped mega-bucks mod. It seems this crowd would be more inventive than that.
The Teres table intrigues me in terms of the DIY mod possibilities. How about filling the chambers with the lead shot with a damping fluid so the shot would "jiggle" and damp vibration more efficiently. Any thoughts?
The Teres table intrigues me in terms of the DIY mod possibilities. How about filling the chambers with the lead shot with a damping fluid so the shot would "jiggle" and damp vibration more efficiently. Any thoughts?
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- 14 posts total
- 14 posts total