Who will survive? One last table til I die.


I want to buy a final turntable (call it 25 years worth of use until I can't hear or don't care). I want to be able to get parts and have it repaired for the next quarter century. I would also like the sound quality to be near the top or upgradable to near the top for that time period. I don't necessarily require that the manufacturer be solvent that long (the preferable situation), but otherwise the parts would have to be readily available and the design such that competent independent repair shops be able to fix it. I won't spend more than $10,000 and prefer (but don't require) an easy set up that doesn't need constant tweaking. I'm willing to pay for the proper stand and isolation needed over and above the initial cost.

I've got 9,000 LPs, and it doesn't make sense to start over replacing them with CD/SACDs (although I have decent digital equipment) even if I could find and afford replacements. Presently I have a CAT SL-1 III preamp and JL-2 amp, Wilson speakers, Sota Cosmos table, SME IV arm, and Koetsu/Lyra Clavis/AQ7000nsx cartridges.

Thanks in advance for your input. Steve
suttlaw
Suttlaw, if you are looking seriously at alternative phono stages, I encourage you to listen to an Aesthetix Io Signature.

For a phono cable, I'd encourage you to listen to the Omega Mikro Ebony. It's not shielded, but if it works in your environment, I think you will be very pleased with the neutrality, speed, resolution and transparency of this cable. http://www.walkeraudio.com/omega_mikro_cables.htm


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I've read great things about the Io Signature, but$2735 for one meter of the Ebony IC? Wow.
Ah, but the sound is "Wow" as well. When we first tried it here my wife was listening and really liked it, but we were still tuning the system and we swapped it out for a while: was she ever an unhappy camper until we put it back. Everything else we did, she kept saying: "But it's not the Omega Mikro Ebony, you've lost the magic." And she was right.
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Since I believe the phono cable is the most important wire in an analogue based system, and the one I am most likely to be willing to overpay for, I shall now have to add the Omega Mikro Ebony to the short list. I admit to being totally ignorant of this line of wires until Rushton's post.

A website I found did not mention any phono cable, only the Ebony interconnect. I am assuming that this interconnect is used for both phono and line, which I always find troublesome since I have assumed that the signals from each were different enough that a cable should be optimized for either phono or line.

(As a barely related aside, oddly enough, I miss the little din connector I've always needed on my tonearm cable; its delicacy seems more symbolically suited to the subtle art of coaxing music out of microscopic scratches in dead wax than the cruder RCA plug that replaces it.)

Just out of curiosity, Rushton, what were the runners-up to the Ebony? And what other wires do you use in your system?
Suttlaw, the Omega Mikro Ebony comes as an "interconnect," there is no phono vs. line alternative in this cable. Please note that the Ebony is a more delicate cable than many people are used to handling. The design objective is to minimize dielectic so there is no sheathing to grab onto, just the woven net stocking (insulated fine copper wire) to which a bias voltage is applied. The bare conducting ribbon inside the stocking is a very thin copper foil to which a silver layer has been hand annealed, and these conducting ribbons are screwed, not soldered, to the RCA connectors. For a little extra care in handling, the sonic rewards are very high.

As to "runners-up," I'm going to ask to beg off that question. None of us can hear everything, and any discussion of alternatives will offend someone who really likes the other cable. For example, Albert Porter will tell you that he really likes the Purist Dominus cables, and that he's tried the Omega Mikro and did not think they were as good. At this level of performance, choices can become more matters of listening priorities than absolute performance differences. For me, the ability to resolve complex, large scale music, particularly orchestral, is important. I've tried other cables that sound very good on small ensemble jazz or single vocalist (in some respects better than the Ebony), but just do not continue to resolve detail well on orchestral or more complex music (like Count Basie's "88 Basie Street"). The strength of the Omega Mikro Ebony is that they sound good across that range, but they are outstanding when the music gets more complex and the demands of resolving multiple instruments and multiple musical lines come into play: this is where they clearly differentiate themselves from many other cables. At the same time, they are neutral, not at all bright or edgy (like some highly resolving cables), extremely revealing/resolving and always allow the harmonic overtone structure to come across without change or interpretation.

One last comment: Lloyd Walker makes it easy to hear these cables in your own system. If you're not completely satisfied, return them in original condition within 30-days for a full refund. He doesn't get many back.
http://www.walkeraudio.com/omega_mikro_cables.htm
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