Absolute top tier DAC for standard res Redbook CD


Hi All.

Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.

I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.

Upsampling vs non-upsampling?
USB input vs SPDIF?

All opinions welcome.

And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.

Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
mattnshilp
Time to try direct to amps with all of the DACs. How about this weekend?

Have you tried the Final Drive yet with the preamp?

BTW, here is what I would recommend for room treatments:

1) to eliminate HF sidewall reflections, put Sonex panels, 3'X5' on the spots where you see the tweeters when putting a small mirror on the wall and looking from the listening position. If these do not pass the WAF, then look to absorbing panels from GIK acoustics with graphics on them. I have some of these as well with a nice Fender guitar printed on it:

http://www.gikacoustics.com/product/gik-artpanel-acoustic-panels/

2) get two ASC 1/4 round tubetraps, as tall as your tweeters:
http://www.acousticsciences.com/products/tube-traps

Place these just behind your speakers (2" behind) with the inside curved surface faced inward. Start with the flat surface parallel and in line with the speaker inner facing side. Then "tune" by rotating the left one counter-clockwise and the right one clockwise. At some point you will get razor-sharp focus, but too much rotation will compromise the width of the soundstage. Rotate them back until you have just the right mix of width beyond the speakers edges and sharp focus of the vocalist in the center. If you have a reflective surface like a TV screen, these will eliminate the effect of it by scattering the back-wave from the speakers. This is a very effective treatment for both imaging and bass that I have used at shows and at home for years.

Steve N.
Empirical Audio
Lol. I was actually going to break out the Final Drives today but Merrill came over.

With the Aeris 400h away from ready and the DirectStream also 2 weeks minimum from ready (after it arrives Tuesday), the next thing up is a comparison of DAC direct to amps vs using the Final Drives.

Watch for the next UPDATE.

Thanks for the room treatment suggestions. I have to see what the boss will approve, if anything.
I love reading this thread! So much fun to read everyday. I don't want to miss anything.

Thanks for doing such a good job Matt.
Hi Matt, I talked to steve N. over this week, The final drives are a great accomplishment by steve, However, though you can use them on the active pre-amps, steve said you can also use the final drives on the dacs, or cd-players that have a volume control on them, I would bet you money, If you put the final drives on the Aeris, or ODSE, or any of the dacs that you have that has a volume control versus, just your prized Roland active pre-amp by its self, you would likly sale the Pre-amp!, LOL!, after I talked to steve, I am interested in his final drives to use with source componets direct to amps, being the final drives are a true Balanced circuit,and passive, not needing any power from the wall, and the fact they break the ground plane, It's a win-win situation!
Very nice. The Meitner and PSAudio should be an interesting comparison....