As many know, I use only RR fluids after having tried umpteen commercial and home-brew fluids. I have no interest or connection with RR except that of a satisfied user. I speak from my expereince, hoiping that others will have equal success. If you are happy with your own regimen, though, I am happy, too. This, in general, is how I proceed.
I nearly always use the Deep Cleaner first because it does the job on the pressing release agent on new records and most gunk on old records like virtually no other. I use LAST brushes. Using one, I saturate the pad so that it is good and soaked. Then, as I place the brush on the rotating record, I squirt a bit from a smaller squirt bottle in front of the leading edge of the pad. This ensures a good wet record bit is, perhaps, overkill. I then give it another pass using the same method with a separate brush, except this time using the Super Vinyl Wash.
I submit, though, that the directions could possibly stand a rewording. It does seem from an initial reading that one must wet the surface before using the fluid and that begs the "How" question. I think it just means don't start with a dry brush and then put the fluid on after you've started.
One school of thought holds that the entire record should be "flooded" so that liquid "stands" over the whole grooved surface in order for particles to be suspended and "float" out of the grooves. I use the RR fluids liberally, but not that liberally. In my experience, the vacuum pass is what really carries away the particles (making sure to vacuum the wand after each record. Using the RR fluids in this manner, I rarely have to wash an LP a second time and have no sonic signature when finished (something I cannot say about certain other fluids or especially when using distilled water. In fact, when I originally used distilled water as in a final "rinse" pass, I very often had surface noise to the point I thought the record was worn out. Using the Super Vinyl Wash in the final pass identified the real culprit.
I nearly always use the Deep Cleaner first because it does the job on the pressing release agent on new records and most gunk on old records like virtually no other. I use LAST brushes. Using one, I saturate the pad so that it is good and soaked. Then, as I place the brush on the rotating record, I squirt a bit from a smaller squirt bottle in front of the leading edge of the pad. This ensures a good wet record bit is, perhaps, overkill. I then give it another pass using the same method with a separate brush, except this time using the Super Vinyl Wash.
I submit, though, that the directions could possibly stand a rewording. It does seem from an initial reading that one must wet the surface before using the fluid and that begs the "How" question. I think it just means don't start with a dry brush and then put the fluid on after you've started.
One school of thought holds that the entire record should be "flooded" so that liquid "stands" over the whole grooved surface in order for particles to be suspended and "float" out of the grooves. I use the RR fluids liberally, but not that liberally. In my experience, the vacuum pass is what really carries away the particles (making sure to vacuum the wand after each record. Using the RR fluids in this manner, I rarely have to wash an LP a second time and have no sonic signature when finished (something I cannot say about certain other fluids or especially when using distilled water. In fact, when I originally used distilled water as in a final "rinse" pass, I very often had surface noise to the point I thought the record was worn out. Using the Super Vinyl Wash in the final pass identified the real culprit.